Rashomon (1950) - User Reviews - Page 21 of 34

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Review of Rashomon (1950)

By Evan H (764) on 24 Jun 2010

An exquisitely rendered representation of perception, human brokenness, and the hopeless bravely hoping despite these odds…

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Review of Rashomon (1950)

By Sudharshan S (11) on 22 Jun 2010

Kurosawa's best...Employs a multi-flashback recounting the same incident, as a plot device…

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Review of Rashomon (1950)

By Rony P (34) on 21 Jun 2010

A timeless masterpiece in world cinema.....and I feel Toshiro Mifune, as Tajomaru the bandit, does a better Raavan act than Abhishek Bachchan…

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Review of Rashomon (1950)

By Kaewta K (6) on 21 Jun 2010

The main reason I am giving this film 4 stars is for the technical brilliance that Kurosawa and his team had with the cinematography and considering…

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Review of Rashomon (1950)

By Joe T (673) on 18 Jun 2010

A brilliant movie that has been poorly copied many times since its release…

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Review of Rashomon (1950)

By A.j. S (251) on 15 Jun 2010

Director Akira Kurosawa's early film is really quite a treat for the human mind…

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Review of Rashomon (1950)

By Aaron S (1,130) on 12 Jun 2010

When I was watching Rashomon, I was reminded of a Sufi fable: Two men appear before a judge to plead their case…

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Review of Rashomon (1950)

By Harry T (192) on 07 Jun 2010

No denying the philosophical qualities of this film. Kurosawa works with themes of perspective and truth in admirable fashion…

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Review of Rashomon (1950)

By Patricio M (8) on 31 May 2010

This movie leads a new form of narrative and photography. Great scenario: the gate of the city, the rain... Marvelous…

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Review of Rashomon (1950)

By Reilly J (24) on 31 May 2010

I recently watched my first Akira Kurosawa film, It was his 3 and a half hour epic Seven Samurai, and it was amazing, great characters, great…

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Review of Rashomon (1950)

By Cody H (507) on 31 May 2010

Rashomon excels visually, engaging you with absolutely beautiful framing, dynamic but minimalist sets bathed in light and an expressive cast…

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Review of Rashomon (1950)

By Vincent B (244) on 27 May 2010

MystÃ©rieux, d'une modernitÃ© sans Ã©gale et incroyablement prenant. Toshiro Mifune est dÃ©ment…

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Review of Rashomon (1950)

By Dan G (1,214) on 27 May 2010

MystÃ©rieux, d'une modernitÃ© sans Ã©gale et incroyablement prenant. Toshiro Mifune est dÃ©ment…

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Review of Rashomon (1950)

By Jason P (1,193) on 27 May 2010

I especially liked the first person perspective of the court- I liked that you never heard the questions, only the answers…

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Review of Rashomon (1950)

By Max J (93) on 25 May 2010

Cinematography is incredible…

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Review of Rashomon (1950)

By Dan N (275) on 21 May 2010

An impressive foreign film that leaves you guessing to the very end…

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Review of Rashomon (1950)

By Jody W (18) on 21 May 2010

An impressive foreign film that leaves you guessing to the very end…

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Review of Rashomon (1950)

By Jenni F (52) on 21 May 2010

I only wish the audience I was watching with was different...They kept laughing at completely inappropriate moments (such as when the wife…

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Review of Rashomon (1950)

By Derek W (506) on 15 May 2010

Stunning imagery...ground breaking in its structure...Altman called it poetry...I would have to agree…

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Review of Rashomon (1950)

By Matt F (954) on 09 May 2010

Two things that I really love are here , Japanese period drama aka Jidaigeki and murder mystery in whodunnit style, yet I couldn't grasp the…

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