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Last updated: 05 Jun 2026 at 21:29 UTC

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Review of by Richard Brody for The New Yorker — 22 Aug 2019

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It’s built on such a void of insight and experience, such a void of character and relationships, that even the first level of the house of narrative cards can’t stand.

You can read the full review where it was originally posted online.

This review of Midsommar (2019) was written by and published by The New Yorker on 22 Aug 2019.

Midsommar has generally received positive reviews.

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