The Third Man (1949) - Movie Reviews - Page 35 of 38

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Review of The Third Man (1949)

By Jennifer C (740) on 10 Mar 2009

Guest arrives to find that his host and long-term friend is dead. Carol Reed delivers a suspenseful, timeless mystery of the film noir genre…

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Review of The Third Man (1949)

By Skip U (11) on 09 Mar 2009

I know this is a cult favorite and considered one of the best film-noire types, but I have to say...I wasn't all that impressed…

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Review of The Third Man (1949)

By Berigan T (65) on 07 Mar 2009

Wonderful post-WWII triller/mystery. I've seen it many times, perhaps too many…

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Review of The Third Man (1949)

By Edvard M (1) on 07 Mar 2009

One of the best movies I've ever seen (honestly, I find only the Godfather to be better than this one)…

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Review of The Third Man (1949)

By Andy A (349) on 07 Mar 2009

True enough, what we have here is a great piece of film noir, but generally speaking, the lopsided ending caught me off guard (seeing as the…

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Review of The Third Man (1949)

By Tom J (188) on 03 Mar 2009

Perfect direction. Perfect casting. Perfect mood. Perfect dark humor. This is the best damn movie I've ever seen…

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Review of The Third Man (1949)

By Andy M (705) on 03 Mar 2009

The vibrantly unique visual flair and precise direction of this film are what drive it into the realm of being a masterpiece…

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Review of The Third Man (1949)

By Spencer L (152) on 03 Mar 2009

That sounds like a cheap novelette. What starts out seeming like a tale of disillusionment ends up being a redemption story…

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Review of The Third Man (1949)

By Mike T (1,122) on 03 Mar 2009

The vibrantly unique visual flair and precise direction of this film are what drive it into the realm of being a masterpiece…

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Review of The Third Man (1949)

By Sam R (559) on 01 Mar 2009

Once in a while you get a film that would be a very good thriller, and then something happens...you pur Orson Welles in it and it becomes something…

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Review of The Third Man (1949)

By Matthew P (1,636) on 26 Feb 2009

What a beautiful, subversive, dark film. Orson Welles steals the screen with his cameo, but it's Cotton who is the heart of the film…

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Review of The Third Man (1949)

By Erin R (82) on 26 Feb 2009

Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo,…

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Review of The Third Man (1949)

By Shama R (15) on 26 Feb 2009

Really interesting visually, skewed camera angles, zooms, pans, etc. Great music. Funny. Love the ending…

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Review of The Third Man (1949)

By Rob W (461) on 25 Feb 2009

The entire movie leads to a confrontation between two old friends in war torn 40's Vienna…

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Review of The Third Man (1949)

By Kristie H (27) on 24 Feb 2009

Great flick. Theme music eerily like spongebob though…

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Review of The Third Man (1949)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 21 Feb 2009

Of all the movies I have seen, this one most completely embodies the romance of going to the movies…

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Review of The Third Man (1949)

By Izzy G (45) on 16 Feb 2009

Okay, so the song is nice the first time, and by the five hundredth repetition, ah, not so much. But that is the only caveat…

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Review of The Third Man (1949)

By Jeremy B (846) on 16 Feb 2009

Okay, so the song is nice the first time, and by the five hundredth repetition, ah, not so much. But that is the only caveat…

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Review of The Third Man (1949)

By Thomas L (876) on 15 Feb 2009

This is a perfect example of harmonic convergence…

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Review of The Third Man (1949)

By Private U (13,627) on 15 Feb 2009

Watched it again recently for the 10th or 11th time. amazing to see post-war vienna…

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