Review of The Killing of a Chinese Bookie (1976) by Greg W — 12 May 2015

The definitive Cassavetes film. The closest he ever came to film noir. There is no finer example of just how much Cassavetes is interested in character above plot. The close-ups are evidence of this. It's so refreshing to see a filmmaker completely abandon "professional" lighting and camera work in service of honest moments that are more about an experience than relaying information.

Gazzara is perfection throughout. Despite his character's flaws, my heart goes out to him. There is so much humanity in this portrayal. In fact, each and every supporting character is illustrated as nothing less than human.

This also happens to be Cassavetes most personal film. Cosmo and his ragged group of performers are a metaphor for Cassavetes and his team of actors and filmmakers. The Mafia are like the pressure of Hollywood to sell out.

Yet, all he can give us is a uncompromising "love" for humanity. The entire film is constantly on edge and there's never a cliched or contrived moment. 70's filmmaking has rarely been better.