Review of Satyricon (1969) by Robert L — 18 Jan 2013
If an experiment was conducted consisting in submitting a modest cinema connoisseur to this beautiful and decadently disastrous orgy of anarchic cultural aspects of Rome, perhaps the first name that would pop up to his head was Pasolini. Surprisingly, it isn't. More surprisingly, this rebellious piece of art entered the business before Pasolini's Trilogy of Life. Truth is, Satyricon is the turning point for the legend that Fellini already was before autobiographical memoirs and nostalgia invaded his mind with controversial youth moments added here and there for spicing up his love letters to the city that gave him life and an identity forever.
99/100.
This review of Satyricon (1969) was written by Robert L on 18 Jan 2013.
Satyricon has generally received positive reviews.
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