Review of Final Cut (1993) by Kevin M. W — 17 Sep 2013
Technology is developed that allows recording of one's entire life. Why? So that once yer dead your relatives can make a memorial film clip of your life. While not the expected use of such capabilities it's the set-up for Williams to play a man whose job it is to shape those recorded lifetimes into Disney-fied music videos (cue Phillip Glass-like score).
Problems herein include the predictable privacy concerns, a dead tech wizard's possibly incriminating and thus exploitable past, as well as Williams own personally troubling past. It's not bad insofar as a interesting sci-fi idea explored goes, but somehow fails to connect.
Williams, Sorvino and Caviezel all perform well for the newbie director/writer Naim who only lacks focus IMO., delivering a tale nicely reminiscent of 1950's pulp sci-fi.
This review of Final Cut (1993) was written by Kevin M. W on 17 Sep 2013.
Final Cut has generally received mixed reviews.
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