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Review of Luz (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 18 Mar 2021

The film’s writer and director, Jon Garcia, treats the physicality of their romance in a frank way, staging realistic love scenes that show…

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Review of Hustlers (2019)

By R96Sk (195) on 18 Mar 2021

Good film. 'Hustlers' makes for satisfactory viewing…

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Review of kid 90 (2021)

By Unclewillard (169) on 18 Mar 2021

Mostly boring. We've seen this story time and again; Hollywood is unkind to child actors for the most part…

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Review of Audrey (2020)

By Katezoe (154) on 18 Mar 2021

How can you make Audrey Hepburn look bad...see this documentary…

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Review of Groomed (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 18 Mar 2021

Van de Pas calls on experts, psychologists and a convicted sex offender for interviews, but the most illuminating examples come from her own story…

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Review of The Father (2020)

By Thom Ernst (141) for Original-Cin (1,156) on 18 Mar 2021

The Father is a compelling, illusionary story about aging's disorienting symptoms…

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Review of Language Lessons (2021)

By Lorry Kikta (141) for Film Threat (5,156) on 18 Mar 2021

This film shows us that it is okay. We can survive. We can even thrive, and certainly, we can get by with a little help from our friends…

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Review of Rose Plays Julie (2021)

By Kristen Yoonsoo Kim (115) for The New York Times (9,847) on 18 Mar 2021

Amid the lush greenery of the setting, the atmosphere is perpetually bone-chilling — complete with an ominously high-pitched score — making…

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Review of Zack Snyder's Justice League (2021)

By Scott Campbell (94) for We Got This Covered (2,391) on 18 Mar 2021

Zack Snyder’s Justice League is excessive and overlong to the point that trimming anywhere up to an hour would have elevated it significantly,…

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Review of Anon (2018)

By Iamcritical86 (93) on 18 Mar 2021

Slow. Weak. Boring. As much as I tried, I couldn't get into this movie. I don't know how it didn't get more negative reviews…

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Review of Zack Snyder's Justice League (2021)

By Scienceadvisor (86) on 18 Mar 2021

While better than the original, this really needed to be cut down to three hours…

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Review of Rose Plays Julie (2021)

By Sarah-Tai Black (68) for Los Angeles Times (12,977) on 18 Mar 2021

A deeply aware film, Rose Plays Julie allows for the fantastic as a means and space of catharsis…

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Review of Zack Snyder's Justice League (2021)

By Drblahblah (64) on 18 Mar 2021

Much better than the original version, but still marred by excessive slow-mo, on-the-nose music choices, melodrama, sentimentality, and long-windedness…

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Review of Freaky (2020)

By Afm185 (45) on 18 Mar 2021

Meh. Disappointing. The concept is pretty fun but the dialogue is just... not very good…

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Review of Zack Snyder's Justice League (2021)

By Aurora1 (24) on 18 Mar 2021

The villain in Zack Snyder's Justice League is the director…

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Review of Crisis (2021)

By Sarah Hagi (23) for The Globe and Mail (Toronto) (4,018) on 18 Mar 2021

While the film is awful, Jarecki’s approach to filmmaking is still paint-by-numbers watchable, solely because the genre is familiar…

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Review of Crisis (2021)

By Sarah Hagi (23) for The Globe and Mail (Toronto) (4,018) on 18 Mar 2021

While the film is awful, Jarecki’s approach to filmmaking is still paint-by-numbers watchable, solely because the genre is familiar…

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Review of Crisis (2021)

By Sarah Hagi (23) for The Globe and Mail (Toronto) (4,018) on 18 Mar 2021

While the film is awful, Jarecki’s approach to filmmaking is still paint-by-numbers watchable, solely because the genre is familiar…

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Review of Luz (2021)

By Josiah Teal (22) for Film Threat (5,156) on 18 Mar 2021

Luz does have trouble giving depth to its characters. Rather than a deep dive character study, the film is very plot-centered…

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Review of Luz (2025)

By Josiah Teal (22) for Film Threat (5,156) on 18 Mar 2021

Luz does have trouble giving depth to its characters. Rather than a deep dive character study, the film is very plot-centered…

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