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Review of The Disaster Artist (2017)

By Dan_B (1,694) on 18 Mar 2021

(Español / English) El sueño de la película propia Extracto The Disaster Artist no es sólo el making of de la película de culto The Room,…

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Review of The Courier (2020)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 18 Mar 2021

Though Jessie Buckley, as Wynne’s suspicious wife, and Rachel Brosnahan, as an amusingly pushy C.I.A…

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Review of Sentinelle (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 18 Mar 2021

Sentinelle is an admirably swift, elegantly filmed spine-snapping action thriller with moments of surprising grace…

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Review of Dutch (2021)

By Joe Leydon (915) for Variety (12,700) on 18 Mar 2021

Dutch is dreadful…

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Review of Zack Snyder's Justice League (2021)

By Richard Brody (868) for The New Yorker (1,837) on 18 Mar 2021

It is a grind, it is a slog, it is a bore—it’s a mental toothache of a movie, whose ending grants not so much resolution as relief…

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Review of Synchronic (2020)

By Brent_Marchant (762) on 18 Mar 2021

This sci-fi offering tries mightily to spin a cutting-edge yarn but just never quite hits all the right notes…

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Review of The Human Voice (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 18 Mar 2021

The Human Voice is all about the muddied lines between the fabricated and the genuine, and about how much a performance can be divorced from…

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Review of The Human Voice (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 18 Mar 2021

The Human Voice is all about the muddied lines between the fabricated and the genuine, and about how much a performance can be divorced from…

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Review of Me Before You (2016)

By Panchogul (602) on 18 Mar 2021

Es bellísima, está cargada de una nobleza y un amor puro y verdadero realmente conmovedores, destacó la actuación de Emilia Clarke, la…

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Review of The Courier (2020)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 18 Mar 2021

Gaunt, reserved, unexpectedly thrust into the spotlight having risked life and limb to avert nuclear war, he's a figure from a bygone time,…

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Review of Zack Snyder's Justice League (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 18 Mar 2021

How would “Slightly less terrible!” look on a poster…

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Review of The Courier (2020)

By Mark Feeney (434) for Boston Globe (6,852) on 18 Mar 2021

Assured and well made (Dominic Cooke directed), The Courier offers bits of tradecraft — Penkovsky photographing documents with a miniature…

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Review of Happily (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 18 Mar 2021

First-time feature helmer Grabinski firmly steers his script away from sticking in one mode or another: It’s neither purely scary, nor purely…

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Review of Zack Snyder's Justice League (2021)

By Dharma (271) on 18 Mar 2021

Zack Snyder's Justice League will join the ranks of one of the best superhero films of all time…

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Review of Chaos Walking (2021)

By Vince Mancini (256) for Uproxx (697) on 18 Mar 2021

It’s a movie that’s been in the oven forever yet still comes out feeling half baked…

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Review of Boogie (2021)

By Vince Mancini (256) for Uproxx (697) on 18 Mar 2021

The idea of a movie about an Asian-American basketball prospect is compelling enough, but Boogie is also saddled with the baggage of seemingly…

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Review of Oliver & Company (1988)

By Dogegamer2015 (242) on 18 Mar 2021

Tiene una trama decente, buenos personajes y excelentes canciones; la recomiendo si eres un buen fan de Disney…

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Review of Luz (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 18 Mar 2021

The film’s writer and director, Jon Garcia, treats the physicality of their romance in a frank way, staging realistic love scenes that show…

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Review of Luz (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 18 Mar 2021

The film’s writer and director, Jon Garcia, treats the physicality of their romance in a frank way, staging realistic love scenes that show…

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Review of Luz (2025)

By Teo Bugbee (199) for The New York Times (9,847) on 18 Mar 2021

The film’s writer and director, Jon Garcia, treats the physicality of their romance in a frank way, staging realistic love scenes that show…

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