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Review of Vivo (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 06 Aug 2021

What begins in lively and vibrant fashion as the title would suggest gets bogged down in a literal and figurative swamp in Vivo…

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Review of Alive: Who Is There? (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 06 Aug 2021

What begins in lively and vibrant fashion as the title would suggest gets bogged down in a literal and figurative swamp in Vivo…

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Review of Whirlybird (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 06 Aug 2021

Quibbles aside, Whirlybird proves a memorably evocative time capsule of 1980s and ’90s Los Angeles and the people who made — and captured…

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Review of Boys from County Hell (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 06 Aug 2021

The unreal feels real. The real feels even more real. A decidedly decent slice of bog horror…

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Review of Zola (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 06 Aug 2021

Time will tell if the social media thread is set to become the epic poem of the new millennium…

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Review of The Suicide Squad (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 06 Aug 2021

With its incessant profanity, ridiculous body count, and trollish sense of humor, Gunn’s film often seems content to exist in a constant…

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Review of Pray Away (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 06 Aug 2021

The film is measured yet forceful, never strident in making its point…

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Review of Annette (2021)

By Brian Lowry (913) for CNN (497) on 06 Aug 2021

The resulting movie, however, hits the wrong notes, repeating mundane lyrics without uttering the words that keep coming to mind, which are…

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Review of Antebellum (2020)

By Tara Brady (805) for The Irish Times (483) on 06 Aug 2021

The big narrative rug-pull isn’t quite as smooth as it ought to be, but there’s plenty to admire here, including Monáe’s expressive…

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Review of Val (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Aug 2021

The result is undoubtedly a canny mediation on the vagaries of fame, but it feels more intimate and essential than that: a lifetime of searching…

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Review of Val (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Aug 2021

The result is undoubtedly a canny mediation on the vagaries of fame, but it feels more intimate and essential than that: a lifetime of searching…

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Review of Escape from Mogadishu (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 06 Aug 2021

A giddy chase scene almost singlehandedly rescues Escape from Mogadishu, an otherwise unmoving South Korean political thriller about the real-life…

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Review of The Suicide Squad (2021)

By Mattbrady99 (654) on 06 Aug 2021

James Gunn recently said in an interview that he finds superhero movies “mostly boring” right now…

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Review of Naked Singularity (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 Aug 2021

There's something off-kilter about it, in a good way. It has a confidence that might not be earned but is still enjoyable to see…

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Review of Ailey (2021)

By Chris Vognar (609) for San Francisco Chronicle (7,630) on 06 Aug 2021

Ailey weds forthright interviews and archival footage of abstract beauty with those sweeping dance sequences to conjure a haunting portrait…

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Review of The Suicide Squad (2021)

By Moviemitch96 (552) on 06 Aug 2021

EVERY time I give a DC film a chance or the benefit of the doubt, I ALWAYS come out regretting it, and this film was certainly no exception,…

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Review of Annette (2021)

By Richard Lawson (539) for Vanity Fair (761) on 06 Aug 2021

It’s a lot of nervy construction built around very little substance…

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Review of Vivo (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 06 Aug 2021

Vivo is a heartfelt piece with catchy songs and a much more cohesive plot than Miranda’s Moana, which gets tangled midway through…

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Review of Alive: Who Is There? (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 06 Aug 2021

Vivo is a heartfelt piece with catchy songs and a much more cohesive plot than Miranda’s Moana, which gets tangled midway through…

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Review of John and the Hole (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 06 Aug 2021

It’s exciting, quietly volatile stuff that digs refreshingly deep into the fears of the coming-of-age genre…

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