Browse Movie Reviews - Page 3,175 of 258,691

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Review of Swan Song (2021)

By Kimber Myers (423) for Los Angeles Times (12,977) on 06 Aug 2021

A little too broad at times, Swan Song smartly balances its excesses with small, sweet moments that leave an impression on the audience just…

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Review of Annette (2021)

By Kristy Puchko (422) for Polygon (677) on 06 Aug 2021

Whatever its intentions, Annette is remarkable…

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Review of Resort to Love (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 06 Aug 2021

Resort to Love doesn’t do anything unexpected or exciting and, despite its overly saccharine silliness, it is entertaining enough to watch…

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Review of Annette (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 06 Aug 2021

Annette is extravagant and ambitious, but it’s also frustrating, pompous and emotionally flat…

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Review of Swan Song (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 06 Aug 2021

Unfortunately, the film gets derailed by tonal inconsistencies and a clichéd plot that undermines the strength of its memorable outlier sections…

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Review of The Suicide Squad (2021)

By Bertobellamy (400) on 06 Aug 2021

You got a telenovela, comedy, satire, action, war, and kaiju film in here…

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Review of The Suicide Squad (2021)

By Metacriticonur (388) on 06 Aug 2021

Excellent [ ek-suh-luhnt ] adjective possessing outstanding quality or superior merit; remarkably good…

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Review of Vivo (2021)

By Metacriticonur (388) on 06 Aug 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Alive: Who Is There? (2021)

By Metacriticonur (388) on 06 Aug 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Cousins (2021)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Aug 2021

Co-directors Ainsley Gardener and Briar Grace Smith tell a sprawling story of separation and disposession which feels both intimate in terms…

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Review of Cousins (2021)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Aug 2021

Co-directors Ainsley Gardener and Briar Grace Smith tell a sprawling story of separation and disposession which feels both intimate in terms…

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Review of Cousins (2021)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Aug 2021

Co-directors Ainsley Gardener and Briar Grace Smith tell a sprawling story of separation and disposession which feels both intimate in terms…

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Review of Cousins (2021)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Aug 2021

Co-directors Ainsley Gardener and Briar Grace Smith tell a sprawling story of separation and disposession which feels both intimate in terms…

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Review of Naked Singularity (2021)

By Robert Daniels (336) for Polygon (677) on 06 Aug 2021

Naked Singularity isn’t a typical courtroom drama. It’s a heist flick, a sci-fi romp, and a message film all rolled into one…

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Review of Idiocracy (2006)

By Kai82 (336) on 06 Aug 2021

It is a science fiction comedy with a lot of satire that many say will become a documentary…

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Review of The Beach (2000)

By Habibiehakim (321) on 06 Aug 2021

This is an extraordinary film, with all the fabulous performance especially DiCaprio, The Beach combine darkness and happiness that I rarely…

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Review of Annette (2021)

By Clint Worthington (295) for Consequence (296) on 06 Aug 2021

There’s murder, exploitation, and cunnilingus galore. What more do you expect from a collaboration between Leos “Holy Motors” Carax and Sparks…

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Review of Evangelion: 3.0+1.0 Thrice Upon a Time (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 06 Aug 2021

The film synthesizes the nihilistic tone of The End of Evangelion with the more hopeful terms of the anime’s original intended finale…

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Review of John and the Hole (2021)

By Matt Patches (283) for Polygon (677) on 06 Aug 2021

The level of craft John and the Hole brings to its ideas makes it worthy of chewing on…

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Review of The Evening Hour (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 06 Aug 2021

Narrative bumps and all, The Evening Hour gives Ettinger a full stage to parade his unassuming virtuosity…

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