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Last updated: 15 Jun 2026 at 08:55 UTC

Movie Reviews by Leah Greenblatt - Page 1 of 37

1-20 of 734 Reviews

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Review of John Wick: Chapter 4 (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Mar 2023

As Wick carves a path of stoic destruction across several continents, the series' longtime director Chad Stahelski, once Reeves' Matrix stand-in…

Review of Operation Fortune: Ruse de Guerre (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Mar 2023

Globe-trotting tomfoolery ensues, in ways never quite as witty or engaging as you want them to be, though Hugh Grant and Josh Hartnett bring…

Review of The Quiet Girl (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Feb 2023

With its English subtitles and small-scale epiphanies, Girl is the kind of quiet film that could easily get lost in a noisy season; lean in…

Review of Cocaine Bear (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Feb 2023

It's all patently ridiculous, and even at 95 minutes, a stretch to call this loose cannonball of high camp and sticky-bright gore a movie…

Review of Creed III (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Feb 2023

Majors, already seemingly inescapable this year, brings a wounded menace that suggests the many sedimentary layers of fury and grief underneath;…

Review of Ant-Man and the Wasp: Quantumania (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Feb 2023

At just over 120 minutes, though — a blink in Marvel time — this Ant-Man is clever enough to be fun, and wise enough not overstay its welcome…

Review of Sharper (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Feb 2023

It's easy to lose count of the double and triple crosses in Sharper, a silly and unabashedly camp thriller that is, frankly, exactly the kind…

Review of Somebody I Used to Know (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Feb 2023

There's a low-key charm to the movie's knowing spin on familiar beats, and far more chaotic non-sexual nudity than Julia Roberts would ever…

Review of Your Place or Mine (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Feb 2023

What should be breezy, featherweight fun — Reese! Ashton! A screenplay by the lady who wrote The Devil Wears Prada and 27 Dresses…

Review of Magic Mike's Last Dance (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Feb 2023

Last Dance is missing a lot, but it has the moves you mostly came for — and in its final strobe-lit moments, the full release of a Hollywood ending…

Review of Knock at the Cabin (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Feb 2023

Shyamalan may be saying something meaningful about faith or environmental destruction or the corrosive fraying of the social contract (could…

Review of The Pod Generation (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Feb 2023

Ejiofor is eminently relatable as an analog man who can't seem to understand where it all went wrong, and Clarke's eyebrows knit with such…

Review of Shotgun Wedding (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2023

This Wedding clearly wasn't meant to be a masterpiece, but even as mid-winter fluff it feels like a rush job: a marriage made for lazy-Sunday…

Review of You People (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2023

The movie is much better when it relaxes its death grip on screenwriter-y punchlines and slapstick cringe and just allows its cavalcade of…

Review of Missing (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jan 2023

Directors Nick Johnson and Will Merrick sometimes strain the credulity of what shooting in-screen can do — June's laptop camera does a lot…

Review of The Pale Blue Eye (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Jan 2023

Until [Cooper] loses his way in the cascading absurdity of the final twists, though, the movie is mostly a study in how good its two main actors…

Review of M3GAN (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Jan 2023

The tart in-jokes and absurdity of the script, its winky acknowledgment of all the tropes gone before it, feels like a delirious cap on recent…

Review of Babylon (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Dec 2022

Boogie had a dramatic throughline, and something genuinely unsettling to say about the strange soul-bargaining of fame…

Review of Babylon (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Dec 2022

Boogie had a dramatic throughline, and something genuinely unsettling to say about the strange soul-bargaining of fame…

Review of Avatar: The Way of Water (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Dec 2022

The movie's overt themes of familial love and loss, its impassioned indictments of military colonialism and climate destruction, are like a…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

Leah Greenblatt is connected to:

More About This Page

Leah Greenblatt - Film Reviews

Leah Greenblatt has written 734 movie reviews between 01 Dec 2008 and 13 Mar 2023.

This film critic has awarded movies a score of 76% on average.

Leah Greenblatt has awarded high ratings to TÁR (2022), Nomadland (2021), The Last Black Man in San Francisco (2019), The Hunting Ground (2015) and 1917 (2019). Read some of the reviews on this page to find out why Leah Greenblatt liked these movies so much.

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