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Review of The Souvenir (2019)

By Alejandro970 (859) on 01 Oct 2021

Supported by the talent of Tilda Swinton, and a young cast, it is the highlight of a plot that takes its time to please despite its slow pace…

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Review of The Addams Family 2 (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 01 Oct 2021

What’s missing, among other things, is the dark humor that is the Addams family’s whole raison d’être…

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Review of The Guilty (2021)

By Jesse Hassenger (800) for Polygon (677) on 01 Oct 2021

Gyllenhaal is the whole show, and his irritable, driven, struggling character doesn’t exactly glorify his line of work…

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Review of The Velvet Underground (2021)

By Jesse Hassenger (800) for Consequence (296) on 01 Oct 2021

Todd Haynes obviously loves rock and roll, which makes it all the more impressive that he’s spent his career making movies about key figures…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Jesse Hassenger (800) for Consequence (296) on 01 Oct 2021

Though he’s been accused of re-carving the same dollhouse-scale miniatures over and over again, The French Dispatch finds Anderson continuing…

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Review of The Power of the Dog (2021)

By Jesse Hassenger (800) for Consequence (296) on 01 Oct 2021

Campion’s take on the Western is an elegant, sometimes unnerving accomplishment…

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Review of Red Rocket (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Oct 2021

Rocket is leisurely episodic and at over two hours, almost certainly longer than it needs to be, but the director's singular gift for street…

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Review of Dream Horse (2021)

By Mauro_Lanari (665) on 01 Oct 2021

(Mauro Lanari) Pet therapy in the sense of the Disneyan sports movies: community hippotherapy with the same limit of the mediocre cover version…

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Review of The Princess Bride (1987)

By Mattbrady99 (654) on 01 Oct 2021

Life is pain, Highness. Anyone who says differently is selling something…

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Review of Coming Home in the Dark (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 01 Oct 2021

Coming Home in the Dark settles into the memory as a mesmerizing missed opportunity at worst, a promise of future classics at best…

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Review of Venom: Let There Be Carnage (2021)

By Moviemitch96 (552) on 01 Oct 2021

Second verse, same as the first…

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Review of Venom: Let There Be Carnage (2021)

By David Sims (534) for The Atlantic (1,046) on 01 Oct 2021

Venom may not have realized it was a so-bad-it’s-good cult classic, but Let There Be Carnage is striving to maintain that status from minute one…

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Review of The Many Saints of Newark (2021)

By David Sims (534) for The Atlantic (1,046) on 01 Oct 2021

A number of the observations about the strictures of gangland life that The Many Saints of Newark bumps up against are compelling, but the…

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Review of The Addams Family 2 (2021)

By Steve Davis (486) for Austin Chronicle (7,653) on 01 Oct 2021

With the exception of Kroll’s gravelly-intoned Uncle Fester, the voicework is sketchy, with Theron’s Seven-Sisters elocution bordering…

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Review of Titane (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Oct 2021

Titane, this year's Palme d'Or winner at the Cannes Film Festival, is an extreme movie, violent and pitiless and funny, but the space it provides…

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Review of Mayday (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 01 Oct 2021

Despite a strong ensemble of actors and some impressive photography, Mayday drowns inside its own overambitions…

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Review of MAYDAY (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 01 Oct 2021

Despite a strong ensemble of actors and some impressive photography, Mayday drowns inside its own overambitions…

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Review of Adaptation. (2002)

By Gracjanski (417) on 01 Oct 2021

The story is boring in the beginning, because it is too slow and shows the failures of Kaufman too often…

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Review of Black as Night (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Oct 2021

It’s the kind of movie that might not be as charming if you’ve seen 100 vampire movies, but if you’re also curious about bloodsucker…

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Review of Bingo Hell (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 01 Oct 2021

Even with the poetic, vicious grin we can see from Brake’s gummy smile, feasting on the dreams of lovable people misguided by materialism,…

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