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Review of The Many Saints of Newark (2021)

By Metacriticonur (388) on 01 Oct 2021

Excellent [ ek-suh-luhnt ] adjective possessing outstanding quality or superior merit; remarkably good…

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Review of Seyran Ateş: Sex, Revolution and Islam (2026)

By Roxana Hadadi (336) for Los Angeles Times (12,977) on 01 Oct 2021

From a purely technical viewpoint, Lorentzen’s one-side-only methodology makes Seyran Ateş: Sex, Revolution and Islam a lopsided viewing…

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Review of Venom: Let There Be Carnage (2021)

By Tropicaces (322) on 01 Oct 2021

It has some moments of fun, but just like the first film the CGI fights between Venom and his symbiotic enemy look like dimly-lit trash bags…

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Review of Holes (2003)

By Habibiehakim (321) on 01 Oct 2021

All we need is patience, patience to see, to feel, and to realise that these kids from Caveman until Armpit is doing an amazing performance…

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Review of El Planeta (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 01 Oct 2021

Leo and María — and, judging from their on-screen rapport, Amalia and Ale as well — spin on a wavelength where their irrational lifestyle…

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Review of The Guilty (2021)

By Clarisse Loughrey (259) for The Independent (259) on 01 Oct 2021

It was Gyllenhaal, here in a producer role, who initially bought the rights to Gustav Möller’s Danish film…

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Review of The Starling (2021)

By Clarisse Loughrey (259) for The Independent (259) on 01 Oct 2021

A wrong turn was taken…

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Review of The Many Saints of Newark (2021)

By Clarisse Loughrey (259) for The Independent (259) on 01 Oct 2021

The Many Saints of Newark is both instantly recognisable and somehow unplaceable…

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Review of Bingo Hell (2021)

By Clarisse Loughrey (259) for The Independent (259) on 01 Oct 2021

There’s enough warmth to Guerrero’s script, co-written with Shane McKenzie and Perry Blackshear, to paper over the odd rickety effect or…

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Review of Respect (2021)

By Clarisse Loughrey (259) for The Independent (259) on 01 Oct 2021

This project should have been relatively straightforward: to provide a worthy showcase for Hudson, who is tremendous in exactly the kind of…

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Review of The Many Saints of Newark (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 01 Oct 2021

While Chase, Taylor and Konner figure out a way to give us a half-assed rundown of the gangster rise-and-fall we saw again and again in the…

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Review of Venom: Let There Be Carnage (2021)

By Stream2Bigscree (201) on 01 Oct 2021

I love the smell of vengeance in the morning! What am I saying?! Welcome back, Streamers…

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Review of The Addams Family 2 (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 01 Oct 2021

A missed opportunity through and through, The Addams Family 2 is a giant step backward for a franchise that already had its work cut out for…

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Review of Red Rocket (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 01 Oct 2021

Red Rocket isn’t the kind of work that condemns or implores—not explicitly, at least—but Rex lays everything on the table, from Saber’s…

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Review of Old (2021)

By Soulwarfare (173) on 01 Oct 2021

M. Night Shyamalan is such a fascinating director, you never know what you're going to get with him…

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Review of Rambo III (1988)

By Kelvinselimor (157) on 01 Oct 2021

Rambo III. The war won't let go…

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Review of The Addams Family 2 (2021)

By Josh Spiegel (148) for Slashfilm (971) on 01 Oct 2021

The Addams Family 2 makes exceedingly few right moves, feeling tossed-off right to the very end…

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Review of The Addams Family 2 (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 01 Oct 2021

At 93 minutes, The Addams Family 2 feels longer than it actually is, and nothing, not even the new music from contemporary stars like Megan…

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Review of The Addams Family 2 (2021)

By Lena Wilson (121) for The New York Times (9,847) on 01 Oct 2021

Where it could lean into the typically bone-dry Addams family humor, this film more often relies on poop jokes, explosions and the musical…

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Review of Titane (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 01 Oct 2021

Slightly confused as Titane might be in what it's trying to say, at least it is saying something bold and wild and challenging…

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