Browse Movie Reviews - Page 1,170 of 258,691

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Review of Triangle of Sadness (2022)

By Donald Clarke (1,051) for The Irish Times (483) on 28 Oct 2022

For all the plum-on-the-nose satire, Östlund does not, however, fall into the trap of making every target a monster…

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Review of Armageddon Time (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 28 Oct 2022

By letting the picture embody his failures — by turning Armageddon Time into a self-aware look at his own limitations — the director makes…

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Review of Black Adam (2022)

By Richard Brody (868) for The New Yorker (1,837) on 28 Oct 2022

Black Adam feels like a place-filler for a movie that’s remaining to be made, but, in its bare and shrugged-off sufficiency, it does one…

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Review of Barbarian (2022)

By Tara Brady (805) for The Irish Times (483) on 28 Oct 2022

Taking a leaf from Parasite, Barbarian both literally and figuratively plays with the idea that however unpleasant things seem there’s always…

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Review of All Quiet on the Western Front (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Oct 2022

This sprawling German-language adaptation of Erich Maria Remarque's classic WWI novel is a film that feels both aesthetically dazzling and…

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Review of The Lair (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 28 Oct 2022

The action filmmaking, from interstitial chases to fight choreography, looks good, and so does the monster and its practically-effected victims…

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Review of Holy Spider (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 28 Oct 2022

It’s not the first film to try to disguise its titillation at violence, in particular against women, with blunt, larger themes…

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Review of Don't Worry Darling (2022)

By Mauro_Lanari (665) on 28 Oct 2022

(Mauro Lanari) Someone should explain to Thirteen the difference between alternative society (Westworld [Crichton 1973], Logan's Run [Anderson…

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Review of Enemy at the Gates (2001)

By Voodoo123 (536) on 28 Oct 2022

The cast deliver decent performances with the potent screenplay…

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Review of Father Stu (2022)

By Voodoo123 (536) on 28 Oct 2022

This was an entertaining and some times quite touching dramedy…

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Review of Call Jane (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Oct 2022

Call Jane is about an important subject, but it's also a character study of one woman waking up, not just to her own strength, but to the fact…

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Review of Enola Holmes 2 (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Oct 2022

There’s more of the same in Enola Holmes 2, an equally boisterous romp that’s equally as hard to remember once it’s over but one that…

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Review of Snowden (2016)

By Gracjanski (417) on 28 Oct 2022

Everyone know the real protagonist and many wants to know something about him…

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Review of Enola Holmes 2 (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 28 Oct 2022

Despite the A-list team all returning for the sequel, the frisson is gone, and Enola Holmes 2 feels much more elementary, primary, and uninspired…

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Review of Steel Dawn (1987)

By Kai82 (336) on 28 Oct 2022

I have a soft spot for B movies and liked it because of it…

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Review of The Trial of the Chicago 7 (2020)

By Drlowdon (322) on 28 Oct 2022

Based on real life events, The Trial of the Chicago 7 tells the story of a group of anti–Vietnam War protesters who are charged with conspiracy…

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Review of Armageddon Time (2022)

By Oliver Jones (215) for Observer (1,042) on 28 Oct 2022

James Gray’s Armageddon Time is the kind of movie you get when a talented filmmaker thinks back upon the painful moments of his childhood…

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Review of Please Baby Please (2022)

By Dan Mecca (208) for The Film Stage (3,162) on 28 Oct 2022

Kramer and Riseborough are clearly on the same wavelength, both understanding that though the representation in Please, Baby, Please is important,…

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Review of Star Trek: Nemesis (2002)

By Liamexe (198) on 28 Oct 2022

So this is it if you want to witness the ultimate space combat…

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Review of Holy Spider (2022)

By Godfrey Cheshire (178) for RogerEbert.com (5,563) on 28 Oct 2022

Holy Spider’s rendition of this grisly tale is powerful and precise, commendably lacking the sensationalistic tone of some serial killer movies…

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