Movie Reviews Published by Vanity Fair - Page 9 of 39

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Review of No Sudden Move (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 08 Jul 2021

With Soderbergh and his collaborators, you can never complain that great thespian skills were left to wander, or that you were bored…

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Review of Black Widow (2021)

By Richard Lawson (539) for Vanity Fair (761) on 29 Jun 2021

Black Widow is a prequel of sorts, and an origin story, a robust and satisfying glimpse into a defining interlude in Black Widow’s life that…

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Review of F9 (2021)

By Richard Lawson (539) for Vanity Fair (761) on 23 Jun 2021

F9’s attempts at classical drama, all its reckoning with dynastic sin, do weigh the thing down quite a bit…

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Review of Luca (2021)

By Richard Lawson (539) for Vanity Fair (761) on 16 Jun 2021

Luca does, despite its vagueness, successfully pull off some of the usual Pixar tricks, provoking warm tears and weary sighs as one considers…

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Review of All Light, Everywhere (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 04 Jun 2021

All Light, Everywhere is a tremendous work that anyone merely curious about the various relationships the government has to both private industry…

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Review of A Quiet Place Part II (2021)

By Richard Lawson (539) for Vanity Fair (761) on 27 May 2021

The film’s self-seriousness bogs down what should be a mad and skittering thing, jangling us with all its agonizing silence…

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Review of Cruella (2021)

By Richard Lawson (539) for Vanity Fair (761) on 26 May 2021

Cruella is yet another act of co-opting by the biggest entertainment company in the world, an attempt to graft a cheap rebel spirit onto a…

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Review of Those Who Wish Me Dead (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 May 2021

Those Who Wish Me Dead is missing an act, maybe, some of kind bridge between its drawn-out beginning and its hurried climax…

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Review of In the Heights (2021)

By Richard Lawson (539) for Vanity Fair (761) on 21 May 2021

Basking in the film’s ceaseless swirl is as intoxicating a moviegoing experience as one could want these days, a burst of communal joy (and…

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Review of Army of the Dead (2021)

By Richard Lawson (539) for Vanity Fair (761) on 21 May 2021

The Snyder of 2004 is utterly revived in Army of the Dead, a shrewdly mounted action film (as opposed to a horror one) that may be saying something…

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Review of The Woman in the Window (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 May 2021

The movie is a pallid, dull slog of bad acting and worse storytelling…

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Review of Wrath of Man (2021)

By Richard Lawson (539) for Vanity Fair (761) on 06 May 2021

It’s all pleasingly robust and cinematic, if fleeting…

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Review of Things Heard & Seen (2021)

By Richard Lawson (539) for Vanity Fair (761) on 05 May 2021

The real trouble of the film is that it is stuck, like a spirit, between spaces…

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Review of Tom Clancy's Without Remorse (2021)

By Richard Lawson (539) for Vanity Fair (761) on 05 May 2021

Best to move past Without Remorse. assured that Jordan will find another, more fitting star vehicle for himself…

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Review of Mortal Kombat (2021)

By Richard Lawson (539) for Vanity Fair (761) on 23 Apr 2021

Mortal Kombat is a disjointed, halfhearted trip to the past, where things probably should have been left finished for good…

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Review of Voyagers (2021)

By Richard Lawson (539) for Vanity Fair (761) on 07 Apr 2021

The film is mostly just a rehash of Lord of the Flies set in space…

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Review of Godzilla vs. Kong (2021)

By Richard Lawson (539) for Vanity Fair (761) on 30 Mar 2021

Godzilla vs. Kong competently, efficiently does its job, which is really all you can ask of the fourth movie in a rickety franchise…

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Review of TINA (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 26 Mar 2021

Rather than trying to undo or edit the history of how her story has been told, Tina makes fans and observers another offering: Experience the…

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Review of Nobody (2021)

By Richard Lawson (539) for Vanity Fair (761) on 26 Mar 2021

The film is a winning reminder of the pleasures of the midrange movie, one stylish enough to feel distinct but not too caught up in an effort…

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Review of The Inheritance (2020)

By Cassie Da Costa (26) for Vanity Fair (761) on 16 Mar 2021

Blackness isn’t a fixed identity or static community—it’s ever shifting, retracting, then proliferating, coming in and out of communion…

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