Movie Reviews Published by Vanity Fair - Page 8 of 39

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Review of C'mon C'mon (2021)

By Richard Lawson (539) for Vanity Fair (761) on 08 Sep 2021

Mills makes this genre feel new and insightful, as if he’s one of only a few filmmakers who has tackled the complex dynamic between adult and child…

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Review of King Richard (2021)

By Richard Lawson (539) for Vanity Fair (761) on 05 Sep 2021

What keeps us invested is the cast’s invigorating performances…

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Review of Dune (2021)

By Richard Lawson (539) for Vanity Fair (761) on 03 Sep 2021

With Dune, Villeneuve has the chance to right the wrongs of David Lynch’s 1984 misfire (a misfire according to some, anyway) and truly honor…

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Review of The Card Counter (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 02 Sep 2021

You’ll leave the film unable to stop thinking about its dimensions…

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Review of The Power of the Dog (2021)

By Richard Lawson (539) for Vanity Fair (761) on 02 Sep 2021

While the core narrative is plenty compelling in all its creeping dread and curiosity, The Power of the Dog is not too concerned with being…

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Review of Candyman (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 Aug 2021

The film is so busy working through what it’s trying to say that it loses its specific pacing and texture, tumbling toward a finale that…

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Review of Reminiscence (2021)

By Richard Lawson (539) for Vanity Fair (761) on 18 Aug 2021

The film doesn’t do much to distinguish itself, or to retain audience interest…

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Review of Beckett (2021)

By Richard Lawson (539) for Vanity Fair (761) on 17 Aug 2021

Beckett moves through the film not as an invincible badass, but as a man who is tired and in a great deal of pain…

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Review of Respect (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 17 Aug 2021

Director Liesl Tommy and screenwriter Tracey Scott Wilson do not let reverence for the legend trap them in an unimaginative limbo…

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Review of Free Guy (2021)

By Richard Lawson (539) for Vanity Fair (761) on 11 Aug 2021

Free Guy has moments of dizzying action and offers up some intriguing sci-fi speculation, but it is decidedly not a cool movie…

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Review of Annette (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 06 Aug 2021

Annette is remarkable for its formal intensity—how every image and song is not merely reflective of, but tangled up in the ideas they give life to…

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Review of Annette (2021)

By Richard Lawson (539) for Vanity Fair (761) on 06 Aug 2021

It’s a lot of nervy construction built around very little substance…

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Review of The Suicide Squad (2021)

By Richard Lawson (539) for Vanity Fair (761) on 05 Aug 2021

The Suicide Squad walks about as far up to the line of the indecent as is perhaps possible for a film of this size right now, which makes portions…

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Review of Jungle Cruise (2021)

By Richard Lawson (539) for Vanity Fair (761) on 29 Jul 2021

Jungle Cruise is a two-hour movie that has far less consequence than a ride that’s a small fraction of that length…

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Review of The Green Knight (2021)

By Richard Lawson (539) for Vanity Fair (761) on 29 Jul 2021

It’s an elusive film, in its plotting and allusions, but is still potent and immediate, as resonant as any of our own late-night quests toward…

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Review of Old (2021)

By Jordan Hoffman (1,025) for Vanity Fair (761) on 27 Jul 2021

Shyamalan teases out new information in just the right doses, remembering all the while that this is, at its core, a B-picture…

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Review of Red Rocket (2021)

By Richard Lawson (539) for Vanity Fair (761) on 14 Jul 2021

The film is best viewed as a tricky character study, one about the undulations and relentless demands of self-worth—and, of course, of money,…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Jul 2021

The film—structured as an issue of a New Yorker-esque magazine—is fussy and ornately detailed and difficult to grasp…

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Review of Benedetta (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Jul 2021

Benedetta is full of surprising tones shrewdly introduced by Verhoeven, who keeps us leaning forward to suss out just what his film is trying…

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Review of Stillwater (2021)

By Richard Lawson (539) for Vanity Fair (761) on 09 Jul 2021

From one vantage point, Stillwater may just be a sentimental and lurid riff on the infamous Amanda Knox case…

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