Movie Reviews by Cassie Da Costa - Page 1 of 2

1-20 of 26 Reviews

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Review of Kimi (2022)

By Cassie Da Costa (26) for Vanity Fair (761) on 15 Jun 2022

The sub-90 minute thriller offers a searing yet slyly humorous portrayal of the modern technological landscape—as well as the abuses (and…

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Review of The Sky Is Everywhere (2022)

By Cassie Da Costa (26) for Vanity Fair (761) on 23 Feb 2022

That Decker is able to transmit a deep and compelling curiosity about this journey through each and every image is reason enough to follow…

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Review of Sharp Stick (2022)

By Cassie Da Costa (26) for Vanity Fair (761) on 03 Feb 2022

Sharp Stick is deeply personal; a series of constellation-like animations that arise in Sarah Jo’s mind as she has sex serve as a reminder…

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Review of Swan Song (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 27 Dec 2021

Ali, in his first lead role, is let down with a hollow script and sanitized surroundings that his character barely struggles against…

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Review of Swan Song (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 18 Dec 2021

Ali, in his first lead role, is let down with a hollow script and sanitized surroundings that his character barely struggles against…

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Review of Nightmare Alley (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 18 Dec 2021

There’s no shame in a remake where the re-rendering is genuinely fresh—but del Toro’s take empties its source material of significance,…

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Review of Being the Ricardos (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 10 Dec 2021

Being the Ricardos reduces the physical comedy that made I Love Lucy work night after night to a series of explainers…

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Review of Flee (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 08 Dec 2021

What’s most arresting about Flee isn’t its animated sequences, but Rasmussen’s detailed and attentive recording of Amin’s vocal expressions…

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Review of Passing (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 19 Nov 2021

Much of what you see in Passing you’ll miss if you don’t really pay attention. This is, obviously, the entire idea…

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Review of Passing (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 19 Nov 2021

Much of what you see in Passing you’ll miss if you don’t really pay attention. This is, obviously, the entire idea…

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Review of Eternals (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 03 Nov 2021

From visuals to music choice, there’s a lack of style here that is only further emphasized by the film’s refusal to focus…

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Review of The Rescue (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 09 Oct 2021

The result is an extremely thorough documentation of events, and a literal one. The Rescue is not so much a film as it is a record…

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Review of Blue Bayou (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 17 Sep 2021

We get a smattering of piercing thoughts about family separation as sanctioned by the U.S…

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Review of The Lost Daughter (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 13 Sep 2021

With The Lost Daughter, Gyllenhaal easily proves her talent and instinct as a director by unflinchingly infusing a great story with her own…

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Review of The Card Counter (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 02 Sep 2021

You’ll leave the film unable to stop thinking about its dimensions…

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Review of Respect (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 17 Aug 2021

Director Liesl Tommy and screenwriter Tracey Scott Wilson do not let reverence for the legend trap them in an unimaginative limbo…

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Review of Annette (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 06 Aug 2021

Annette is remarkable for its formal intensity—how every image and song is not merely reflective of, but tangled up in the ideas they give life to…

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Review of No Sudden Move (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 08 Jul 2021

With Soderbergh and his collaborators, you can never complain that great thespian skills were left to wander, or that you were bored…

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Review of All Light, Everywhere (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 04 Jun 2021

All Light, Everywhere is a tremendous work that anyone merely curious about the various relationships the government has to both private industry…

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Review of TINA (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 26 Mar 2021

Rather than trying to undo or edit the history of how her story has been told, Tina makes fans and observers another offering: Experience the…

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Movie Reviews by Cassie Da Costa - Page 1 of 2

1-20 of 26 Reviews

Cassie Da Costa - Film Reviews