Movie Reviews Published by Vanity Fair - Page 10 of 39

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Review of The Human Voice (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 16 Mar 2021

The Human Voice’s images tend to call out in vain; not an utterance is heard…

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Review of The Human Voice (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 16 Mar 2021

The Human Voice’s images tend to call out in vain; not an utterance is heard…

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Review of Zack Snyder's Justice League (2021)

By Richard Lawson (539) for Vanity Fair (761) on 15 Mar 2021

Watching Snyder’s intermittently rewarding epic—if nothing else a spectacle of completed vision—stirred up surprising emotions…

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Review of The United States vs. Billie Holiday (2021)

By Richard Lawson (539) for Vanity Fair (761) on 11 Mar 2021

In Day’s magnetism, the film does enough justice to Holiday’s memory that its shagginess is almost forgiven…

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Review of The World to Come (2021)

By Richard Lawson (539) for Vanity Fair (761) on 11 Mar 2021

The film offers a small bit of emotional rescue at its very end—a graceful tribute to the escapes of memory and fantasy—but by then the…

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Review of Raya and the Last Dragon (2021)

By Richard Lawson (539) for Vanity Fair (761) on 11 Mar 2021

It’s a fun movie, packed with escapades and just-shy-of-cloying cutesy humor, but there is a resonant depth, too…

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Review of Minari (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 Feb 2021

As it unspools, Minari becomes a study in sober compassion…

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Review of Cherry (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 Feb 2021

There’s a sort of bell curve of tolerance; the film begins loud and over-egged, gradually settles into a sad and gnarly bildungsroman, and…

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Review of I Care a Lot (2021)

By Richard Lawson (539) for Vanity Fair (761) on 18 Feb 2021

Pike has been nominated for a Golden Globe for the performance, but don’t let that turn you off…

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Review of The Map of Tiny Perfect Things (2021)

By Richard Lawson (539) for Vanity Fair (761) on 11 Feb 2021

The Map of Tiny Perfect Things knows its limits. It’s careful about when to be twee, when to strive for profundity, and when to hold back…

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Review of Judas and the Black Messiah (2021)

By Richard Lawson (539) for Vanity Fair (761) on 04 Feb 2021

Judas and the Black Messiah is missing that deeper personal aspect, some sense of the emotional force yoking O’Neal and Hampton together,…

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Review of Palmer (2021)

By Richard Lawson (539) for Vanity Fair (761) on 30 Jan 2021

The film doesn’t actually show character growth so much as it tells you it’s happening…

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Review of Coda (2021)

By Katey Rich (412) for Vanity Fair (761) on 30 Jan 2021

Writer/director Sian Heder, with her exceptional cast, remains in full control of the tone even as the story follows every predictable beat…

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Review of Supernova (2021)

By Richard Lawson (539) for Vanity Fair (761) on 30 Jan 2021

Supernova, despite a title that suggests a bright and glorious burst of energy, is a ponderous movie, a story about the end of life so determined…

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Review of Supernova (2020)

By Richard Lawson (539) for Vanity Fair (761) on 30 Jan 2021

Supernova, despite a title that suggests a bright and glorious burst of energy, is a ponderous movie, a story about the end of life so determined…

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Review of CODA (2021)

By Katey Rich (412) for Vanity Fair (761) on 30 Jan 2021

Writer/director Sian Heder, with her exceptional cast, remains in full control of the tone even as the story follows every predictable beat…

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Review of The Little Things (2021)

By Richard Lawson (539) for Vanity Fair (761) on 26 Jan 2021

The Little Things is somehow both lazy and overly adorned, a lugubrious movie that spends all its indulgence on the easiest, most obvious of tropes…

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Review of One Night in Miami... (2020)

By Cassie Da Costa (26) for Vanity Fair (761) on 21 Jan 2021

King clearly has the chops, and hopefully, with future films, she’ll be more adventurous…

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Review of Locked Down (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Jan 2021

Locked Down is a grating yank into a nasty headspace, a pompous sort of fury…

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Review of Locked Down (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Jan 2021

Locked Down is a grating yank into a nasty headspace, a pompous sort of fury…

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