Movie Reviews Published by Vanity Fair - Page 7 of 39

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Review of Finch (2021)

By Richard Lawson (539) for Vanity Fair (761) on 04 Nov 2021

There is genuine familial chemistry between Hanks and Landry Jones, effervescing even through the layer of computer wizardry that led to Jeff’s…

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Review of Eternals (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 03 Nov 2021

From visuals to music choice, there’s a lack of style here that is only further emphasized by the film’s refusal to focus…

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Review of The Harder They Fall (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 Oct 2021

Samuel, who is also a musician under the stage name The Bullitts, makes an auspicious debut as a feature filmmaker…

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Review of Antlers (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 Oct 2021

Little clarity can actually be wrestled out of Cooper’s dank creation, a shallow, dour film that pays rote adherence to the mandate that…

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Review of Bergman Island (2021)

By Richard Lawson (539) for Vanity Fair (761) on 14 Oct 2021

The gap between fact and fiction is where Bergman Island finds its murmuring potency…

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Review of The Last Duel (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Oct 2021

The Last Duel is a surprising jumble, a motley assemblage of tones that often work in perverse harmony…

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Review of The Rescue (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 09 Oct 2021

The result is an extremely thorough documentation of events, and a literal one. The Rescue is not so much a film as it is a record…

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Review of Diana: The Musical (2021)

By Richard Lawson (539) for Vanity Fair (761) on 09 Oct 2021

This is not a considered look at someone’s life; it’s a cash-in that just wants to get to the tragic end, hoping that the audience will…

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Review of Venom: Let There Be Carnage (2021)

By Richard Lawson (539) for Vanity Fair (761) on 30 Sep 2021

Let There Be Carnage tries to recreate the first film’s giddy shock while also upping the ante, taking what audiences liked and slopping…

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Review of The Tragedy of Macbeth (2021)

By Richard Lawson (539) for Vanity Fair (761) on 29 Sep 2021

Coen and his acting troupe make dense language wholly legible, bending famous phrases into intriguing new shapes…

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Review of The Tragedy of Macbeth (2021)

By Richard Lawson (539) for Vanity Fair (761) on 29 Sep 2021

Coen and his acting troupe make dense language wholly legible, bending famous phrases into intriguing new shapes…

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Review of No Time to Die (2021)

By Richard Lawson (539) for Vanity Fair (761) on 29 Sep 2021

Craig is certainly sent off in grand fashion, but it’s a grandiosity that isn’t quite fitting for his run of films…

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Review of The Humans (2021)

By Richard Lawson (539) for Vanity Fair (761) on 18 Sep 2021

Karam makes an auspicious directorial debut, one that captures all the tense, rattling mood of his stage horror while giving it a new, decidedly…

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Review of Blue Bayou (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 17 Sep 2021

We get a smattering of piercing thoughts about family separation as sanctioned by the U.S…

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Review of Belfast (2021)

By Richard Lawson (539) for Vanity Fair (761) on 17 Sep 2021

What works best about Belfast is what Branagh doesn’t do…

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Review of The Forgiven (2022)

By Richard Lawson (539) for Vanity Fair (761) on 17 Sep 2021

Chastain pulls focus whenever she can, operating as one of the film’s main resources of levity and acerbic bite…

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Review of The Eyes of Tammy Faye (2021)

By Richard Lawson (539) for Vanity Fair (761) on 17 Sep 2021

It would be easy to get lost in all that technical detail, to figure the impression—both physical and vocal—is enough…

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Review of The Lost Daughter (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 13 Sep 2021

With The Lost Daughter, Gyllenhaal easily proves her talent and instinct as a director by unflinchingly infusing a great story with her own…

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Review of Last Night in Soho (2021)

By Richard Lawson (539) for Vanity Fair (761) on 12 Sep 2021

Perhaps the film’s thematic intentions are noble. But its execution is glib, never finding the right balance between compassion and leering…

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Review of Dear Evan Hansen (2021)

By Richard Lawson (539) for Vanity Fair (761) on 10 Sep 2021

As was true of the stage production, the Dear Evan Hansen film wants to have it both ways, to see the awful lie at the center of Evan’s message…

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