Movie Reviews Published by Vanity Fair - Page 6 of 39

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Review of The Lost City (2022)

By Richard Lawson (539) for Vanity Fair (761) on 23 Mar 2022

The Lost City has the bad tang of squandered potential, misusing its massively appealing stars and failing the possibility of its premise…

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Review of The Batman (2022)

By Richard Lawson (539) for Vanity Fair (761) on 28 Feb 2022

The reality is that there is probably nothing truly novel to be done with Batman at this point…

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Review of The Sky Is Everywhere (2022)

By Cassie Da Costa (26) for Vanity Fair (761) on 23 Feb 2022

That Decker is able to transmit a deep and compelling curiosity about this journey through each and every image is reason enough to follow…

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Review of Death on the Nile (2022)

By Richard Lawson (539) for Vanity Fair (761) on 07 Feb 2022

Christie’s cool flint is swapped out for tearful ruminations on lost love in Death on the Nile, an intermittently entertaining but otherwise…

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Review of Sharp Stick (2022)

By Cassie Da Costa (26) for Vanity Fair (761) on 03 Feb 2022

Sharp Stick is deeply personal; a series of constellation-like animations that arise in Sarah Jo’s mind as she has sex serve as a reminder…

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Review of Moonfall (2022)

By Richard Lawson (539) for Vanity Fair (761) on 03 Feb 2022

Moonfall is all cobbled together financing and bad green screen, simulated locations weakly standing in for the real thing and a host of capable…

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Review of Swan Song (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 27 Dec 2021

Ali, in his first lead role, is let down with a hollow script and sanitized surroundings that his character barely struggles against…

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Review of Swan Song (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 18 Dec 2021

Ali, in his first lead role, is let down with a hollow script and sanitized surroundings that his character barely struggles against…

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Review of Nightmare Alley (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 18 Dec 2021

There’s no shame in a remake where the re-rendering is genuinely fresh—but del Toro’s take empties its source material of significance,…

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Review of Spider-Man: No Way Home (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Dec 2021

What I will say is that director Jon Watts handles this grand convergence of properties old and current with enough verve to almost sustain…

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Review of Being the Ricardos (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 10 Dec 2021

Being the Ricardos reduces the physical comedy that made I Love Lucy work night after night to a series of explainers…

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Review of Don't Look Up (2021)

By Richard Lawson (539) for Vanity Fair (761) on 09 Dec 2021

Where Don’t Look Up finds its strength is in its lead performances, which can’t be undone even by the film’s exhausting, rapid-fire editing…

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Review of Flee (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 08 Dec 2021

What’s most arresting about Flee isn’t its animated sequences, but Rasmussen’s detailed and attentive recording of Amin’s vocal expressions…

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Review of West Side Story (2021)

By Richard Lawson (539) for Vanity Fair (761) on 02 Dec 2021

This new take on the material is more sinewy and sensual…

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Review of Monsters & Men (2018)

By Richard Lawson (539) for Vanity Fair (761) on 26 Nov 2021

Though all three sections of the film have didactic bits when big ideas are plainly stated, the bulk of Monsters and Men renders huge issues…

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Review of House of Gucci (2021)

By Richard Lawson (539) for Vanity Fair (761) on 24 Nov 2021

There’s some art to be found here, for sure. But there’s not nearly enough of the pop…

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Review of Passing (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 19 Nov 2021

Much of what you see in Passing you’ll miss if you don’t really pay attention. This is, obviously, the entire idea…

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Review of Red Notice (2021)

By Richard Lawson (539) for Vanity Fair (761) on 19 Nov 2021

Red Notice is limp and dull, and does more to showcase the shortcomings of each of its marquee idols than it does to highlight their bankable…

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Review of Passing (2021)

By Cassie Da Costa (26) for Vanity Fair (761) on 19 Nov 2021

Much of what you see in Passing you’ll miss if you don’t really pay attention. This is, obviously, the entire idea…

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Review of Licorice Pizza (2021)

By Richard Lawson (539) for Vanity Fair (761) on 15 Nov 2021

It’s a lively, messy coming-of-age story which turns the clashing elements of its title into reflections of a certain youthful folly and…

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