Movie Reviews Published by Entertainment Weekly - Page 45 of 348

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Review of Rampage (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 10 Apr 2018

It never makes up its mind whether it wants to be a what-hath-science-wrought disaster movie like those old John Sayles cheapie classics Piranha…

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Review of Beirut (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Apr 2018

The performances are strong and the story is absorbing; a smart diversion for adult attention spans…

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Review of Sweet Country (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 06 Apr 2018

Spare, deliberately paced, and almost Biblical in its search for moral justice in a harsh and lawless landscape…

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Review of The Endless (2017)

By Devan Coggan (80) for Entertainment Weekly (6,953) on 03 Apr 2018

Benson and Moorhead masterfully ratchet up the sense of unease, before the third act takes a turn for the truly terrifying…

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Review of Blockers (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 03 Apr 2018

Sure, showing that girls can be as horny and impulsive and raunchy as guys isn’t exactly the most radical statement…

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Review of 6 Balloons (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Apr 2018

At just over 70 minutes, Balloons feels more like a sketch or a character study than a fully realized film, but it's an affecting sketch nonetheless…

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Review of Chappaquiddick (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Apr 2018

What the movie doesn’t do, until it’s nearly over, is make any real case for why so much of America continued to put their faith in Kennedy…

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Review of A Quiet Place (2016)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Mar 2018

When A Quiet Place has one finger on the panic button and the other on mute, it's a nervy, terrifying thrill…

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Review of A Quiet Place (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Mar 2018

When A Quiet Place has one finger on the panic button and the other on mute, it’s a nervy, terrifying thrill…

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Review of Ready Player One (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 27 Mar 2018

Never mind the director’s still-prodigious work ethic, the big-screen adaptation of Ernest Cline’s giddily overstuffed, ’80s-saturated…

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Review of Outside In (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 27 Mar 2018

Shelton may not be as prolific as the Duplasses (I’m not sure anyone could be – they seem to churn out movies in their sleep), but her…

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Review of Gemini (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Mar 2018

A heavily atmospheric neo-noir that starts with real promise but eventually crumbles into silliness…

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Review of The Brothers Bloom (2008)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 23 Mar 2018

This time we expect to be played, but the twist is that we're also touched -- which, the film implies, is the cinema's own form of deception…

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Review of Final Portrait (2017)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 23 Mar 2018

A patient, un-presuming 90 minutes that never undertakes being more than the sum of its parts - more baguette than glossy, sugar-crowned…

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Review of Sherlock Gnomes (2018)

By Christian Holub (57) for Entertainment Weekly (6,953) on 22 Mar 2018

Sherlock Gnomes doesn’t quite have the originality and spark to make it a pop-culture phenomenon…

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Review of Isle of Dogs (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Mar 2018

The movie’s darker allegory of persecution and internment isn’t hard to miss, though, and the dogs themselves, with their tactile tufts…

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Review of Pacific Rim: Uprising (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 20 Mar 2018

If you enjoyed 2013’s Pacific Rim but secretly wished it was more like a vapid Transformers sequel, then you’ll love Pacific Rim Uprising…

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Review of 7 Days in Entebbe (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 15 Mar 2018

The film comes to crackling life during the planning and climactic execution of the raid…

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Review of Love, Simon (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Mar 2018

There’s some real, weird fun in secondary characters like Tony Hale’s desperate-to-be-down principal, Natasha Rothwell’s exasperated…

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Review of Tomb Raider (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Mar 2018

Uthaug also manages to work in a few genuinely cool visual tricks, though the dialogue, from a serviceable script by Geneva Robertson-Dworet…

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