Movie Reviews Published by Entertainment Weekly - Page 44 of 348

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Review of The Week Of (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 26 Apr 2018

It feels like Smigel and Sandler just shot the first draft of their script without fine-tuning or polishing any of the jokes…

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Review of Disobedience (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Apr 2018

If the film itself feels like a little less than the sum of its provocative premise, it’s still moving in its own unshowy way: a quietly…

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Review of The Russians Are Coming! The Russians Are Coming! (1966)

By Steve Simels (96) for Entertainment Weekly (6,953) on 24 Apr 2018

Still, the picture remains the only ”feel good” movie of the entire Cold War corpus…

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Review of Avengers: Infinity War (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 23 Apr 2018

What saves Infinity War from being just another bloated supergroup tour – and what will end up being the thing that blows fans’ minds to…

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Review of Hard Target (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 20 Apr 2018

In Die Hard With a Vengeance, McTiernan stages individual sequences with great finesse (there's a terrific bit with Willis and five thugs in…

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Review of Super Troopers 2 (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Apr 2018

Isn’t aggressively terrible or outrageously offensive. It’s just harmless, pointless, and meh…

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Review of Tully (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Apr 2018

Tully feels like the work of a writer who’s matured and lived and become less superficial without giving up any of her natural gift for finding…

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Review of Ghost Stories (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Apr 2018

Pretty light on scares and only hangs together with the thinnest (and hokiest) of narrative threads…

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Review of Zama (2017)

By Christian Holub (57) for Entertainment Weekly (6,953) on 19 Apr 2018

The film makes a compelling portrait of how job assignments can eventually become jail sentences, and how years can drift into each other with…

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Review of I Feel Pretty (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Apr 2018

There’s also something depressing about Schumer playing off her own looks as if, without the abracadabra of her bonked-head delusions, she…

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Review of The Devil and Father Amorth (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 18 Apr 2018

Whatever the case, you’re better off rewatching the fake Linda Blair movie…

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Review of Pass Over (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 18 Apr 2018

The dialogue mixes Sunday school and the streets, and it’s funny, profane, and occasionally poignant when it’s not a bit too on the nose…

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Review of Penelope (2007)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 17 Apr 2018

Is there anything more dull than an ineptly cynical fairy tale…

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Review of And Then I Go (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Apr 2018

In quiet, often dream-like interludes that frequently burst open into scenes of brutal verbal or physical violence, director Vincent Grashaw…

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Review of Cube (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 15 Apr 2018

This very Canadian thriller (i.e., no humor, lots of literal-minded future-shock portentousness) certainly does a number on you, though not…

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Review of Krystal (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 12 Apr 2018

Krystal feels like the result of an elaborate blunder wherein three different scripts were accidentally shuffled together and then — presumably…

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Review of Lean on Pete (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Apr 2018

Pete is no kind of fairytale; instead, it’s something far sadder and better and more real…

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Review of Wildling (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Apr 2018

A clever, sharp-fanged mélange of classic midnight-movie horror and modern indie ingenuity…

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Review of Come Sunday (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Apr 2018

Ejiofor’s performance make the movie; the rest, you may just have to take on faith…

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Review of The Visitor (2008)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 10 Apr 2018

This audaciously issues-loaded indie drama works, improbably and entirely, on account of the marvelous, often familiar-looking, rarely starring…

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