Movie Reviews Published by Entertainment Weekly - Page 46 of 348

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Review of The Leisure Seeker (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 10 Mar 2018

When a sunset romance does come along, you can’t help but root for it…

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Review of The Strangers: Prey at Night (2018)

By Clark Collis (94) for Entertainment Weekly (6,953) on 09 Mar 2018

Two films in, The Strangers has already become a horribly familiar franchise…

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Review of The Death of Stalin (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Mar 2018

Despite the rich settings and crowded cast, the film can’t help feeling a little airless too: These players aren’t history’s masterminds,…

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Review of Gringo (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 08 Mar 2018

While the fish-out-of-water caper is stuffed with whiplash turns and colorfully eccentric lowlife characters, it never adds up to much…

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Review of Thoroughbreds (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Mar 2018

What begins as a gleefully nasty piece of work gradually picks up more nuance as it goes, adding dimensions to characters who could easily…

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Review of A Wrinkle in Time (2018)

By Darren Franich (64) for Entertainment Weekly (6,953) on 07 Mar 2018

A Wrinkle in Time hits that unfortunate un-sweet spot common to big-budget science-fiction/fantasy, where the spectacle feels more summarized…

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Review of Death Wish (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 01 Mar 2018

Eli Roth’s Death Wish isn’t a bad movie as far as super-violent exploitation flicks go. But it is a deeply problematic one…

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Review of Mute (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 23 Feb 2018

The one thing Mute has going for it is Jones’ vividly imaginative sense of world-building…

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Review of Mute (2016)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 23 Feb 2018

Early trailers made it look like a neon-noir cross between Blade Runner and The Fifth Element. Sadly, it's just another airless dud in red packaging…

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Review of Mute (2016)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 23 Feb 2018

Early trailers made it look like a neon-noir cross between Blade Runner and The Fifth Element. Sadly, it's just another airless dud in red packaging…

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Review of Mute (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 23 Feb 2018

The one thing Mute has going for it is Jones’ vividly imaginative sense of world-building…

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Review of Annihilation (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2018

It’s the kind of film that leaves you dazzled and a little shell-shocked — and not entirely sure whether your own moviegoing DNA hasn’t…

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Review of Annihilation (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2018

It’s the kind of film that leaves you dazzled and a little shell-shocked — and not entirely sure whether your own moviegoing DNA hasn’t…

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Review of Game Night (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Feb 2018

McAdams, whose comedic skills have gone unsung for way too long, is dizzy fun…

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Review of Nostalgia (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Feb 2018

A movie that's so manipulative it practically jimmies the tears out of your eyes with a crow bar…

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Review of Red Sparrow (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 16 Feb 2018

Like some nefarious KGB amnesia serum, Red Sparrow mostly evaporates from your memory five minutes after you walk out of the theater…

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Review of Early Man (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 16 Feb 2018

What comedy there is comes from Tom Hiddleston’s Lord Nooth — a miser with a head like a soft-boiled egg…

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Review of Loveless (2011)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Feb 2018

The title of Loveless is no misnomer: It might just be the feel-bad movie of the year…

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Review of Peter Rabbit (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 09 Feb 2018

It just happens to be clever, and funny, and moves as fast as a tyke on a sugar bender…

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Review of The 15:17 to Paris (2018)

By Kevin P. Sullivan (44) for Entertainment Weekly (6,953) on 08 Feb 2018

Eastwood seems to be reaching for some level of realism, but when every single interaction feels like half-coded AI tried to recreate bro talk,…

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