Review of The Way We Were (1973) by Pauline Kael for The New Yorker — 11 Mar 1989
Redford and Streisand are the whole show, so scenes with various supporting characters drag. But Pollack’s film still manages to function as a glossy rebuke to the Hollywood standard of the unlikely romance.
You can read the full review where it was originally posted online.
This review of The Way We Were (1973) was written by Pauline Kael and published by The New Yorker on 11 Mar 1989.
The Way We Were has generally received positive reviews.
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