Review of The Truth (2020) by Anthony Lane for The New Yorker — 16 Mar 2020
Despite these shortfalls, there’s much to relish here. To play a guy like Hank, who must resign himself to being second or fourth fiddle, is a tricky task, but Hawke pulls it off in the quiet style that he has made his own.
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This review of The Truth (2020) was written by Anthony Lane and published by The New Yorker on 16 Mar 2020.
The Truth has generally received positive reviews.
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