Review of Bones and All (2022) by Anthony Lane for The New Yorker — 14 Nov 2022
The horror is genuinely visceral, yet the story, aided by impassioned work from Chalamet and Russell, pushes onward with a rough and desperate grace. Bones and All proves difficult to watch, but looking away is harder still.
You can read the full review where it was originally posted online.
This review of Bones and All (2022) was written by Anthony Lane and published by The New Yorker on 14 Nov 2022.
Bones and All has generally received positive reviews.
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