Review of The Truth (2020) by Richard Brody for The New Yorker — 05 Jul 2020
Perhaps a filmmaker whose powers were less orderly, less morally driven to soothe and pacify, could have pushed Fabienne—and Deneuve—to tragic and stylistic extremes that would have rendered the film’s reconciliations as mighty as its conflicts.
Instead, he offers half a film of magnificent fragments.
You can read the full review where it was originally posted online.
This review of The Truth (2020) was written by Richard Brody and published by The New Yorker on 05 Jul 2020.
The Truth has generally received positive reviews.
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