Review of The Fabelmans (2022) by Anthony Lane for The New Yorker — 14 Nov 2022
The Fabelmans may look nice ’n’ easy as it swings along, with a pile of laughs to cushion the ride, and a nifty visual gag in the closing seconds, but take care. Here is a film that is touched with the madness of love.
You can read the full review where it was originally posted online.
This review of The Fabelmans (2022) was written by Anthony Lane and published by The New Yorker on 14 Nov 2022.
The Fabelmans has generally received very positive reviews.
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