Review of The Lost Daughter (2021) by Emily Zemler for Observer — 17 Dec 2021
This is Gyllenhaal’s directorial debut, and in her capable hands the story is purposefully hazy, unfolding in both present day and disjointed flashbacks, opening space for the audience to question the behavior of these characters and the societal pressures driving their actions.
You can read the full review where it was originally posted online.
This review of The Lost Daughter (2021) was written by Emily Zemler and published by Observer on 17 Dec 2021.
The Lost Daughter has generally received positive reviews.
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