Review of The Long Goodbye (1973) by Pauline Kael for New Yorker — 17 Apr 2016
Raymond Chandler's sentimental foolishness is the taking-off place for Robert Altman's heady, whirling sideshow of a movie, set in the early-seventies L.A. of the stoned sensibility.
You can read the full review where it was originally posted online.
This review of The Long Goodbye (1973) was written by Pauline Kael and published by New Yorker on 17 Apr 2016.
The Long Goodbye has generally received very positive reviews.
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