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The Irishman (2019) - Movie Reviews - Page 10 of 11

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Review of The Irishman (2019)

By Robbie Collin (1,612) for The Telegraph (1,120) on 13 Oct 2019

Robert De Niro is sensational in Scorsese's history-making mob masterpiece…

Review of The Irishman (2019)

By Dana Stevens (1,435) for Slate (2,081) on 30 Sep 2019

Between the burnished sheen of Rodrigo Prieto’s cinematography, a soundtrack full of perfectly chosen period pop music, and countless sharply…

Review of The Irishman (2019)

By Matthew Dougherty (34) for IGN (1,013) on 30 Sep 2019

The master filmmaker has made an introspective, thoughtful, even somber film that manages to be just as entertaining as his classics, even…

Review of The Irishman (2019)

By Lorry Kikta (141) for Film Threat (5,156) on 28 Sep 2019

It’s so much more than a story about mobsters. It’s a story of hope, success, and failure…

Review of The Irishman (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 28 Sep 2019

For Scorsese, the slowing-down in The Irishman is radical, and it pays off in the long series of final scenes in which the characters are too…

Review of The Irishman (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Sep 2019

It all becomes a sort of muddle for a while midway, one that’s not nearly as compelling as the acting itself, which is largely phenomenal,…

Review of The Irishman (2019)

By Vikram Murthi (112) for The Film Stage (3,162) on 28 Sep 2019

The Irishman’s ending illustrates that even the toughest men, or the most celebrated filmmakers, still crave a sliver of light to guide them…

Review of The Irishman (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 27 Sep 2019

There’s an almost meta-maturity, as if Scorsese is also looking back on his own career, the film leaving us with a haunting reminder not…

Review of The Irishman (2019)

By Stephanie Zacharek (2,333) for Time (1,811) on 27 Sep 2019

For the first two and a half hours of its three-and-a-half-hour runtime, The Irishman is clever and entertaining, to the point where you may…

Review of The Irishman (2019)

By A.o. Scott (2,100) for The New York Times (9,847) on 27 Sep 2019

A monument is a complicated thing. This one is big and solid — and also surprisingly, surpassingly delicate…

Review of The Irishman (2019)

By Johnny Oleksinski (478) for New York Post (6,650) on 27 Sep 2019

Scorsese is at the top of his game here. His film is never boring, and it explores some unexpectedly deep themes for mafiosos…

Review of The Irishman (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 27 Sep 2019

The Irishman is alive with Scorsese’s trademark style…

Review of The Irishman (2019)

By Owen Gleiberman (3,271) for Variety (12,700) on 27 Sep 2019

Martin Scorsese’s The Irishman is a coldly enthralling, long-form knockout — a majestic Mob epic with ice in its veins…

Review of The Irishman (2019)

By Joe Blessing (34) for The Playlist (3,871) on 27 Sep 2019

The Irishman, which feels like the work of an older, wiser, less flashy filmmaker, is much more preoccupied with the soul of Frank Sheeran…

Review of The Irishman (2019)

By Alonso Duralde (1,351) for TheWrap (3,203) on 27 Sep 2019

This is a movie that’s rife with characters, with incidents, with ideas, with history, and as such, it will benefit from multiple viewings…

Review of The Irishman (2019)

By A.a. Dowd (854) for The A.V. Club (5,644) on 27 Sep 2019

The Irishman is the director’s longest drama, but it never drags…

Review of The Irishman (2019)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 27 Sep 2019

The Irishman is vintage Scorsese, with an often sinuously moving camera, occasional break-the-fourth-wall monologues, wicked wise-guy humour,…

Review of The Irishman (2019)

By Jesse Hassenger (800) for The Verge (432) on 27 Sep 2019

In many ways, this is an Old Man movie — a slower late-period work by a filmmaker ruminating on his advancing age, and on the beloved classics…

Review of The Irishman (2019)

By Alissa Wilkinson (499) for Vox (725) on 27 Sep 2019

The movie has the maturity of an older man’s perspective, an eye cast backward on a full life…

Review of The Irishman (2019)

By Richard Lawson (539) for Vanity Fair (761) on 27 Sep 2019

I found myself reluctantly taken by the movie, and the way Scorsese uses it to maybe, just a little bit, atone for some of his own past blitheness…

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