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Last updated: 21 Jun 2026 at 20:36 UTC

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Review of by Dana Stevens for Slate — 30 Sep 2019

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Between the burnished sheen of Rodrigo Prieto’s cinematography, a soundtrack full of perfectly chosen period pop music, and countless sharply observed details of place, time, and character, The Irishman establishes a world that, for all its violence and tragedy, is hard to leave behind when the last shot.

..finally comes.

You can read the full review where it was originally posted online.

This review of The Irishman (2019) was written by and published by Slate on 30 Sep 2019.

The Irishman has generally received very positive reviews.

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