Review of The Irishman (2019) by David Edelstein for New York Magazine (Vulture) — 28 Sep 2019
For Scorsese, the slowing-down in The Irishman is radical, and it pays off in the long series of final scenes in which the characters are too old to move as they once did. They can’t hide inside motion, and so Scorsese doesn’t — and the upshot is one of his most satisfying films in decades.
You can read the full review where it was originally posted online.
This review of The Irishman (2019) was written by David Edelstein and published by New York Magazine (Vulture) on 28 Sep 2019.
The Irishman has generally received very positive reviews.
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