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Last updated: 12 Jun 2026 at 18:42 UTC

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Review of by Josh Larsen for LarsenOnFilm — 08 Aug 2015

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By far the highlight is Astaire and Rogers’ impossibly fluid routine to Cole Porter’s “Night and Day,” in which even that formidable song knows its place and quiets down for a portion of their dance.

The two are so elegantly in sync that the ill-fitting conventions of The Gay Divorcee simply melt away.

You can read the full review where it was originally posted online.

This review of The Gay Divorcee (1934) was written by and published by LarsenOnFilm on 08 Aug 2015.

The Gay Divorcee has generally received very positive reviews.

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