Review of The End of Violence (1997) by Naoya K — 12 May 2012
One of 90's Wenders'. His strong interests and awareness on "the end of the century (or millennium) and examination on the new upcoming century are still affects very much on his choice of theme, story, and way of directing, following "Until the End of the World" (1991).
The plot itself is quite similar to "Enemy of the State" (1998), but Wenders's interest is not on how the hero reveals the conspiracy of the Government, but on how the hero meditates and purifies himself through the relationship with people he newly met.
I understand quite many audiences would disappoint or even dislike this sudden (seems so at first sight) and foggy conclusion of the film, but again, this is not Hollywood big action films like "Enemy of the State" - it is even an obvious anti-Hollywood film, I'd say, for you can find quite a lot of negative mentions on those Hollywood films in this film, although it is not the main point of the film.
It is a little bit lengthy and sometimes too abstract (especially editing is little bit confusing, although it is the main force of creating the atmosphere of the film), but full of impressive scenes.
Music creates an original atmosphere, and original characters well-played by great actors (not famous but very good) are lovely. Especially the cop character played by Loren Dean is my favorite. It is very interesting idea that the producer of violent films faces against real violence, thinks about it, and finally gets a clue on how to end the chain of it.
Wenders's message is very positive and thoughtful.
This review of The End of Violence (1997) was written by Naoya K on 12 May 2012.
The End of Violence has generally received mixed reviews.
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