Review of Pickpocket (1959) by Zane U — 02 Apr 2009
A morally ambiguous character study about a tragically- or beautifully- flawed human being. Bresson's camera is our monocle, and we see every robbery with appreciation; what we see makes us guilty by association, partners in crime.
When the pickpocket performs, the act is a silent ballet in which the background noises of city hustlebustle become nuisances, and we jump at every bell or whistle for fear that this art might be interrupted by something as annoying as law.
Michel is an empathetic character, but he earns that trust slowly. His relationships are real-feeling and generally quiet, but his angst and remorse become evident in a scary naturalism which makes a perfect argument for minimalism.
This review of Pickpocket (1959) was written by Zane U on 02 Apr 2009.
Pickpocket has generally received very positive reviews.
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