Review of M (1931) by Pauline Kael for New Yorker — 06 Apr 2016
Our identification with [Lorre] as a psychopath is so complete it's hard to believe that while appearing before Fritz Lang's cameras in the daytime, he was, at night, acting as a comedian in a farce.
You can read the full review where it was originally posted online.
This review of M (1931) was written by Pauline Kael and published by New Yorker on 06 Apr 2016.
M has generally received very positive reviews.
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