Review of Love & Mercy (2015) by David Edelstein for New York Magazine (Vulture) — 04 Jun 2015
Director Bill Pohlad (working with frequent Wes Anderson cinematographer Robert Yeoman) is extraordinarily sensitive to the amorphous nature of Wilson’s life and art, and Atticus Ross’s score creates a floating, evocative soundscape, which is Brian Wilson–esque without a trace of plagiarism.
You can read the full review where it was originally posted online.
This review of Love & Mercy (2015) was written by David Edelstein and published by New York Magazine (Vulture) on 04 Jun 2015.
Love & Mercy has generally received very positive reviews.
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