Review of Hour of the Wolf (1968) by Janson J — 28 Oct 2011
Igmar Bergman is an intimidating name. Mostly associated with grave imagery and impenetrable symbolism (a shallow perception of his "Seventh Seal"), the truth is a little more humane, but his work certainly requires mature strengths of mind.
"Wolf" is his darkest effort, and as such leaves even his admirers confused and divided on its effect. It is a portrait of an artist's abyss, a painter in exile and desperation, courting his consumption by his own creations.
Usually rationalized as a study of schizophrenia, or a supernatural ghost story. Either way, it is also a potent allegory of artistic frustration and emotional failure - the two great horrors of the creative spirit.
Referencing Mozart's 'Magic Flute': "Will I see Pamina?" (a woman? a finished work? a sense of fulfillment? the dawn? - the ambiguity is instructive) "Soon. Or never." A child thrown into the abyss.
This review of Hour of the Wolf (1968) was written by Janson J on 28 Oct 2011.
Hour of the Wolf has generally received very positive reviews.
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