Review of Dark Night (2017) by Anthony Lane for The New Yorker — 30 Jan 2017
Under its compelling influence, we are lured into feeling that these various lives, marked by vacuity and frustration, are in some way destined to end at the point of a gun — that the murderer and his victims coexist on a continuum of despair.
Try telling that to the people of Aurora.
You can read the full review where it was originally posted online.
This review of Dark Night (2017) was written by Anthony Lane and published by The New Yorker on 30 Jan 2017.
Dark Night has generally received mixed reviews.
Was this review helpful?
Yes
No
