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Last updated: 04 Jun 2026 at 14:28 UTC

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Review of by Justin Chang for Los Angeles Times — 08 Feb 2017

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Sutton’s vision is unsettling and immersive, his technical precision immaculate. The sound design alone — long, ambient silences disrupted by a flashbulb-popping hallucination or a sudden scream — is reason enough to see the movie in a theater, whatever unpleasant associations the ending may conjure.

You can read the full review where it was originally posted online.

This review of Dark Night (2017) was written by and published by Los Angeles Times on 08 Feb 2017.

Dark Night has generally received mixed reviews.

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