Review of Maggie Moore(s) (2023) by Anthony Lane for The New Yorker — 20 Jun 2023
So heavily does the movie strain for offbeat detail—a killer who watches cartoons at full blast; Jay equipped with a neck brace and a leaf blower—that it refreshes one’s respect for Wes Anderson, whose eye for oddities remains clear and bright.
You can read the full review where it was originally posted online.
This review of Maggie Moore(s) (2023) was written by Anthony Lane and published by The New Yorker on 20 Jun 2023.
Maggie Moore(s) has generally received mixed reviews.
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