Review of Blonde (2022) by Justin Chang for Los Angeles Times — 27 Sep 2022
Any truthful portrait of Norma Jeane Baker, the woman who became Marilyn Monroe, would of course have to reckon with the tightly coiled double helix of her art and her tragedy. But Blonde is all tragedy, and its single-mindedness isn’t just dull and punishing but also wearyingly unimaginative.
You can read the full review where it was originally posted online.
This review of Blonde (2022) was written by Justin Chang and published by Los Angeles Times on 27 Sep 2022.
Blonde has generally received mixed reviews.
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