Review of Blonde (2022) by Barry Hertz for The Globe and Mail (Toronto) — 05 Oct 2022
Blonde is a precisely engineered nightmare. From Monroe’s childhood to superstardom, Dominik presents her as a passive victim of never-ending tragedy: neglect, abuse, heartbreak, addiction. And in doing so, Dominik creates a cinematic experience so repellent that it is destined to be loathed and misunderstood, written off as crass and opportunistic just like those who profited off Monroe’s body during her own life.
You can read the full review where it was originally posted online.
This review of Blonde (2022) was written by Barry Hertz and published by The Globe and Mail (Toronto) on 05 Oct 2022.
Blonde has generally received mixed reviews.
Was this review helpful?
Yes
No
