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Last updated: 25 Jul 2026 at 15:06 UTC

Movie Reviews by Robert Daniels - Page 8 of 17

141-160 of 336 Reviews

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Review of Infinite (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 10 Jun 2021

Rather than crafting a high-concept science-fiction marvel, Fuqua’s Infinite relies on shoddy VFX and ropey world-building for the worst…

Review of The Conjuring: The Devil Made Me Do It (2021)

By Robert Daniels (336) for The Playlist (3,871) on 01 Jun 2021

Rather than make the more interesting movie, Chaves and Johnson-McGoldrick kick the can down the road toward the next money-making sequel…

Review of Cruella (2021)

By Robert Daniels (336) for The Playlist (3,871) on 26 May 2021

Cruella is a dull overwrought origin story without an audience…

Review of Army of the Dead (2021)

By Robert Daniels (336) for Polygon (677) on 21 May 2021

The parts of Snyder’s Army of the Dead are definitely stronger than the whole…

Review of Spiral: From the Book of Saw (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 13 May 2021

If Spiral hoped to reinvent the franchise, the dull installment merely amounts to bad fan fiction…

Review of Those Who Wish Me Dead (2021)

By Robert Daniels (336) for IGN (1,013) on 12 May 2021

While there’s plenty of large entertaining set pieces, Sheridan’s intriguing premise withers under its overabundant components…

Review of The Water Man (2020)

By Robert Daniels (336) for Polygon (677) on 07 May 2021

F not for the uptempo rhythm, The Water Man’s thin plotting would make it a slog…

Review of In Our Mothers' Gardens (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 06 May 2021

Lewis’ In Our Mothers' Gardens requires time to find its footing, but the documentary ultimately offers a salute to the generationally important…

Review of The Outside Story (2021)

By Robert Daniels (336) for The Playlist (3,871) on 30 Apr 2021

Though the delightful ensemble allows this slight comedy to bob along, it’s Henry who steers this ship into gentle waters…

Review of The Mitchells vs. the Machines (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 30 Apr 2021

With a colorful blend of biting absurdity and copious dad jokes to offset the commonplace narrative, Rianda and Rowe optimize their dysfunctional…

Review of Tom Clancy's Without Remorse (2021)

By Robert Daniels (336) for Polygon (677) on 30 Apr 2021

While Sollima tries to rekindle Clancy’s 1990s magic, Without Remorse is rendered as unmemorable schlock due to his inability to map the…

Review of Stowaway (2021)

By Robert Daniels (336) for IGN (1,013) on 22 Apr 2021

Stowaway is shrewd in its decision-making and even better in its execution…

Review of Together Together (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 22 Apr 2021

By the grace of a talented cast, especially the reliable Helms and the revelatory Harrison, Together Together is a sweet, albeit incomplete…

Review of Stowaway (2021)

By Robert Daniels (336) for IGN (1,013) on 22 Apr 2021

Stowaway is shrewd in its decision-making and even better in its execution…

Review of The Unholy (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 01 Apr 2021

Laboriously paced, the indulgent jolts and bloodless scares, neither deeply rooted nor artfully raised, float as lifelessly as a lily pad on a bog…

Review of The Last Cruise (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 30 Mar 2021

With visual precision and remarkable intimacy, Hannah Olson's documentary The Last Cruise recalls the harrowing 40-day quarantine aboard the…

Review of TINA (2021)

By Robert Daniels (336) for Consequence of Sound (1,431) on 29 Mar 2021

Martin and Lindsay’s Tina all too often struggles to show Turner as a three-dimensional person — her wants, her beliefs, her passions —…

Review of Nobody (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 26 Mar 2021

Nobody gathers from the familiar blood-soaked stream of “John Wick,” “Death Wish” and the “Taken” franchise to fashion a savage…

Review of The Fallout (2021)

By Robert Daniels (336) for The Playlist (3,871) on 21 Mar 2021

These young performers are always true to themselves. Honest and bare without inhibitions…

Review of Test Pattern (2021)

By Robert Daniels (336) for The Playlist (3,871) on 16 Mar 2021

Michelle Ford’s Test Pattern, with patient specificity, probes the institutional injustices suffered by black women to potent, provoking effect…

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