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Last updated: 25 Jul 2026 at 14:08 UTC

Movie Reviews by Robert Daniels - Page 7 of 17

121-140 of 336 Reviews

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Review of Last Night in Soho (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 12 Sep 2021

Co-written with Krysty Wilson-Cairns (“1917”), Wright’s Last Night in Soho is funny and chaotic, slick and stylish, and falls apart in…

Review of Dear Evan Hansen (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 10 Sep 2021

It’s an emotionally manipulative, overlong dirge composed of cloying songs, lackluster vocal performances, and even worse writing…

Review of The Year of the Everlasting Storm (2021)

By Robert Daniels (336) for IndieWire (3,631) on 03 Sep 2021

The seven filmmakers at the center of “The Year of the Everlasting Storm” do give a slash of cathartic release, a dash of humor and a large…

Review of Candyman (2021)

By Robert Daniels (336) for Polygon (677) on 25 Aug 2021

The film is missing out on a cohesive vision, to the point where the audience will spend the entire film waiting for the flashbacks and summaries…

Review of Beckett (2021)

By Robert Daniels (336) for Polygon (677) on 14 Aug 2021

This film, unfortunately, fails to live up to the quality of its influences…

Review of Respect (2021)

By Robert Daniels (336) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

The preceding two-plus hours of this 145-minute slog — Tommy’s threadbare hodgepodge of bad impressions, gratuitous filmmaking, and even…

Review of In the Same Breath (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 12 Aug 2021

With her harrowing film In the Same Breath, Wang has established herself as the preeminent documenter of the pain inflicted by oppressive regimes…

Review of Naked Singularity (2021)

By Robert Daniels (336) for Polygon (677) on 06 Aug 2021

Naked Singularity isn’t a typical courtroom drama. It’s a heist flick, a sci-fi romp, and a message film all rolled into one…

Review of Free Guy (2021)

By Robert Daniels (336) for The Playlist (3,871) on 05 Aug 2021

This epic, crowd-pleasing adventure, one of the funniest movies of the year, needn’t be as good as “The Truman Show” or “Wreck-it-Ralph”…

Review of The Green Knight (2021)

By Robert Daniels (336) for Polygon (677) on 26 Jul 2021

Lowery more than catches an attentive audience’s attention with this film…

Review of Old (2021)

By Robert Daniels (336) for IGN (1,013) on 22 Jul 2021

Old isn't M…

Review of The Boys in Red Hats (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 16 Jul 2021

The Boys in Red Hats is a necessary watch that elicits frustration by exposing our insular ideology with a raw aplomb…

Review of Summertime (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 08 Jul 2021

The sunny, diverse musical delivers sugary messages of self-affirmation with the shine of a lollipop and the stickiness of a half-eaten sucker…

Review of The Tomorrow War (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 01 Jul 2021

The Tomorrow War tries its hand at throwback ‘90s action glory, back when cinematic adventures could be everything for everybody…

Review of Mary J. Blige's My Life (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 25 Jun 2021

Despite its over orchestration, director Vanessa Roth’s slight, hagiographic documentary Mary J…

Review of Like a Rolling Stone: The Life & Times of Ben Fong-Torres (2021)

By Robert Daniels (336) for The Playlist (3,871) on 20 Jun 2021

This is a uniquely Chinese-American documentary. And an immersive film concerning the immigrant experience…

Review of Catch the Fair One (2022)

By Robert Daniels (336) for The Playlist (3,871) on 18 Jun 2021

By the waning minutes, when the film’s glimmering neorealism energy returns, cleansing the abrupt conclusion with a spellbound spirituality,…

Review of A Crime on the Bayou (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 18 Jun 2021

A Crime on the Bayou never explodes with fury…

Review of Luca (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 16 Jun 2021

While some material may hit with younger audiences, Luca makes for Pixar’s least enchanting, least special film yet…

Review of Nasrin (2020)

By Robert Daniels (336) for RogerEbert.com (5,563) on 15 Jun 2021

In depicting one woman’s fight for justice, Kaufman’s indelible documentary becomes an empowering three-dimensional story of resistance…

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