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Last updated: 25 Jul 2026 at 20:39 UTC

Movie Reviews by Robert Daniels - Page 9 of 17

161-180 of 336 Reviews

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Review of Coming 2 America (2021)

By Robert Daniels (336) for Polygon (677) on 04 Mar 2021

Murphy’s charm, his close chemistry with Hall, Snipes’ wily performance, and the resplendent costumes uplift this nostalgia trip…

Review of Boogie (2021)

By Robert Daniels (336) for IndieWire (3,631) on 03 Mar 2021

What is obvious is that Huang’s Boogie is a 90-minute aimless mess that sets back as much as it saves…

Review of Raya and the Last Dragon (2021)

By Robert Daniels (336) for The Playlist (3,871) on 01 Mar 2021

For all the enchanting elements, the kooky lovable sidekicks, and spirited voice performances from Awkwafina and Tran — the warmth shaking…

Review of Cherry (2021)

By Robert Daniels (336) for The Playlist (3,871) on 25 Feb 2021

There’s a great film waiting to be made about the opioid crisis…

Review of First Date (2021)

By Robert Daniels (336) for The Playlist (3,871) on 02 Feb 2021

The entire ensemble rolls with the fast punches. And Crosby and Knapp show real comedic potential…

Review of First Date (2021)

By Robert Daniels (336) for The Playlist (3,871) on 02 Feb 2021

The entire ensemble rolls with the fast punches. And Crosby and Knapp show real comedic potential…

Review of First Date (2021)

By Robert Daniels (336) for The Playlist (3,871) on 02 Feb 2021

The entire ensemble rolls with the fast punches. And Crosby and Knapp show real comedic potential…

Review of On the Count of Three (2022)

By Robert Daniels (336) for The Playlist (3,871) on 01 Feb 2021

A good movie exists in On the Count of Three…

Review of Judas and the Black Messiah (2021)

By Robert Daniels (336) for The Playlist (3,871) on 01 Feb 2021

King comes so close to rendering Hampton’s life and legacy anew for a younger generation…

Review of Passing (2021)

By Robert Daniels (336) for The Playlist (3,871) on 01 Feb 2021

With an incredible ensemble and an elegant eye, Hall’s Passing is a high-wire act of a debut that tackles its several thorny issues with…

Review of Passing (2021)

By Robert Daniels (336) for The Playlist (3,871) on 01 Feb 2021

With an incredible ensemble and an elegant eye, Hall’s Passing is a high-wire act of a debut that tackles its several thorny issues with…

Review of The Little Things (2021)

By Robert Daniels (336) for Polygon (677) on 26 Jan 2021

Hancock, in what might be his best film, grazes with greatness by constructing an enthralling thriller that relies on the talent of its three…

Review of Malcolm & Marie (2021)

By Robert Daniels (336) for The Playlist (3,871) on 22 Jan 2021

Sam Levinson’s Malcolm & Marie is a purposely self-absorbed meta-narrative about a navel-gazing director at odds with his muse—an enticing…

Review of Outside the Wire (2021)

By Robert Daniels (336) for The New York Times (9,847) on 19 Jan 2021

Grainy establishing shots of the skirmish offer little visual information other than its location on an expressway…

Review of Night of the Kings (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 31 Dec 2020

With Night of the Kings Lacôte collapses the bounds between eras, and dissolves myth and reality, performance and remembrance, into one whole…

Review of Wander Darkly (2020)

By Robert Daniels (336) for The Playlist (3,871) on 12 Dec 2020

Chemistry wise, Miller and Luna work wonders together…

Review of The Midnight Sky (2020)

By Robert Daniels (336) for Polygon (677) on 09 Dec 2020

The ticking clock makes The Midnight Sky a post-apocalyptic survivalist space film whose narrative is so overloaded that the emotional weight…

Review of 40 Years a Prisoner (2020)

By Robert Daniels (336) for The A.V. Club (5,644) on 08 Dec 2020

Director Tommy Oliver’s gritty documentary 40 Years A Prisoner not only recounts the violent events that led up to the raid, mixing eyewitness…

Review of The Bee Gees: How Can You Mend a Broken Heart (2020)

By Robert Daniels (336) for Consequence of Sound (1,431) on 07 Dec 2020

With a jukebox parade that will invite viewers to inevitably sing-along to classic earworms, How Can You Mend a Broken Heart is the Bee Gees…

Review of Black Beauty (2020)

By Robert Daniels (336) for The New York Times (9,847) on 27 Nov 2020

Avis loses the novel’s sincerity by watering down Sewell’s animal welfare plea. In this update, the humans are not as villainous…

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