Review of The Water Man (2020) by Robert Daniels for Polygon — 07 May 2021
F not for the uptempo rhythm, The Water Man’s thin plotting would make it a slog. If not for Oyelowo’s handsomely mounted camera capturing the forest in supernatural blues and reds, the audience’s attention might wander to their phones.
Thankfully, the well-executed components support the fairy tale when the tale itself runs short.
You can read the full review where it was originally posted online.
This review of The Water Man (2020) was written by Robert Daniels and published by Polygon on 07 May 2021.
The Water Man has generally received mixed reviews.
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