Movie Reviews by Mauro_Lanari - Page 8 of 34

141-160 of 665 Reviews

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Review of Blonde (2022)

By Mauro_Lanari (665) on 01 Oct 2022

(Mauro Lanari) I would not classify the style chosen by Dominik as dreamlike, expressionistic or surrealist: he identified with his protagonist…

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Review of Infinite Storm (2022)

By Mauro_Lanari (665) on 28 Sep 2022

(Mauro Lanari) The whole universe appears as an infinite storm of beauty…

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Review of Jerry & Marge Go Large (2022)

By Mauro_Lanari (665) on 23 Sep 2022

(Mauro Lanari) Less challenging than Collateral Beauty (2016), Frankel nonetheless bastes another heartwarming tale, a tender, gentle, cute,…

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Review of Goodnight Mommy (2022)

By Mauro_Lanari (665) on 21 Sep 2022

(Mauro Lanari) Remake considered useless and depowered compared to the homonymous 2014 Austrian movie, although the pair of directors of the…

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Review of The Phantom of the Open (2022)

By Mauro_Lanari (665) on 20 Sep 2022

(Mauro Lanari) Pretty cute, although I think a feel-good movie based on a true story is an oxymoron…

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Review of The Forgiven (2022)

By Mauro_Lanari (665) on 20 Sep 2022

(Mauro Lanari) Why title it The Forgiven when it tells of a path of inner change of the only character with a leftist past that flows into…

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Review of Big Gold Brick (2022)

By Mauro_Lanari (665) on 18 Sep 2022

(Mauro Lanari) Brian Petsos' directorial debut, produced by Oscar Isaac and futilely rambling…

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Review of Pinocchio (2024)

By Mauro_Lanari (665) on 13 Sep 2022

(Mauro Lanari) Tom Hanks wearing makeup like Manfredi and Battiston in the role of Mangiafuoco (oops: Stromboli) are the only almost two concessions…

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Review of Pinocchio (2022)

By Mauro_Lanari (665) on 13 Sep 2022

(Mauro Lanari) Tom Hanks wearing makeup like Manfredi and Battiston in the role of Mangiafuoco (oops: Stromboli) are the only almost two concessions…

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Review of I Came By (2022)

By Mauro_Lanari (665) on 03 Sep 2022

(Mauro Lanari) Desperately seeking a screenplayer is not a quote from the title of Susan Seidelman's '85 film…

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Review of Look Both Ways (2022)

By Mauro_Lanari (665) on 02 Sep 2022

(Mauro Lanari) Life is what happens when you're busy making other plans, Lennon sang in Beautiful Boy (Darling Boy), a quote from Allen Saunders…

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Review of The United States vs. Billie Holiday (2021)

By Mauro_Lanari (665) on 29 Aug 2022

(Mauro Lanari) It took the screenplay by Pulitzer Prize winner Suzan-Lori Parks to confine Holiday's life within the pokey double track of…

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Review of The 355 (2022)

By Mauro_Lanari (665) on 29 Aug 2022

(Mauro Lanari) It's not a female Bond movie…

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Review of Samaritan (2022)

By Mauro_Lanari (665) on 27 Aug 2022

(Mauro Lanari) If still no one gets tired of being told always the same old story, why invent something new…

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Review of Secret Headquarters (2022)

By Mauro_Lanari (665) on 27 Aug 2022

(Mauro Lanari) A Disney-style film, for the whole family, must unite parents and children, it is the founding rule of marketing here perfectly…

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Review of Licorice Pizza (2021)

By Mauro_Lanari (665) on 14 Aug 2022

(Mauro Lanari) In high school the highly acclaimed PTA must have been struck by the subsection Herrschaft und Knechtschaft (Lordship and Bondage,…

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Review of Downton Abbey: A New Era (2022)

By Mauro_Lanari (665) on 12 Aug 2022

(Mauro Lanari) Hollywood is the ultimate dream factory…

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Review of Elvis (2022)

By Mauro_Lanari (665) on 12 Aug 2022

(Mauro Lanari) Elvis was sex, drugs & r'n'r (Ian Dury 1977)…

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Review of Zeros and Ones (2021)

By Mauro_Lanari (665) on 12 Aug 2022

(Mauro Lanari) The exasperated formal experimentalism leads nowhere if it supports a thesis as the ambivalence of reality…

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Review of The Outfit (2022)

By Mauro_Lanari (665) on 09 Aug 2022

(Mauro Lanari) Usually a story that respects the Aristotelian units of space, time and action is best suitable for a theatrical stage…

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