Movie Reviews by Mauro_Lanari - Page 9 of 34

161-180 of 665 Reviews

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Review of Prey (2022)

By Mauro_Lanari (665) on 07 Aug 2022

(Mauro Lanari) Schwarzy in inclusivist pink quota…

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Review of Prey (2022)

By Mauro_Lanari (665) on 07 Aug 2022

(Mauro Lanari) Schwarzy in inclusivist pink quota…

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Review of Thirteen Lives (2022)

By Mauro_Lanari (665) on 06 Aug 2022

(Mauro Lanari) Howard made the event spectacular by adding details, actors, subplots, folklore, bombast, and emptied it of the metaphysical…

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Review of Mainstream (2021)

By Mauro_Lanari (665) on 03 Aug 2022

(Mauro Lanari) Is it possible to criticize a media and economic system from within or does one fall into contradiction…

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Review of Not Okay (2022)

By Mauro_Lanari (665) on 02 Aug 2022

(Mauro Lanari) Why insist on treating the problems of online life only from the Zillennials point of view when now all the important people…

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Review of How It Ends (2021)

By Mauro_Lanari (665) on 31 Jul 2022

(Mauro Lanari) When Sundance gives the worst of itself, more and more frequently: a rambling story with ramshackle characters or a rambling…

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Review of Becky (2020)

By Mauro_Lanari (665) on 31 Jul 2022

(Mauro Lanari) I didn't know Rambo had a teenage daughter who trained with the Navy SEALs and acted as a stunt double for Sly…

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Review of Becky (2020)

By Mauro_Lanari (665) on 31 Jul 2022

(Mauro Lanari) I didn't know Rambo had a teenage daughter who trained with the Navy SEALs and acted as a stunt double for Sly…

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Review of Minor Premise (2020)

By Mauro_Lanari (665) on 31 Jul 2022

(Mauro Lanari) Split (Shyamalan 2016) without the acting skill, filmed as π (Aronofsky 1998) without the directorial talent…

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Review of The Unbearable Weight of Massive Talent (2022)

By Mauro_Lanari (665) on 30 Jul 2022

(Mauro Lanari) Intelligent metanarrative fun for the first 2/3 of the film, then it takes itself seriously and in the last 1/3 the selfparody…

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Review of Possessor (2020)

By Mauro_Lanari (665) on 29 Jul 2022

(Mauro Lanari) An incomprehensibly divisive film: Brandon was able to synthesize both of his father's poetics, the first on the new flesh and…

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Review of Blacklight (2022)

By Mauro_Lanari (665) on 26 Jul 2022

(Mauro Lanari) The invincibility of the action heroes, which rivals the superomism of the Marvel characters, however, has the luck that its…

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Review of Flag Day (2021)

By Mauro_Lanari (665) on 26 Jul 2022

(Mauro Lanari) The United States seen by a loser with his family (true twice: that of the biopic and that of Penn) and filmed in indie style…

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Review of The Gray Man (2022)

By Mauro_Lanari (665) on 26 Jul 2022

(Mauro Lanari) It seems that Keanu Reeves was one of the responsible in havin' seen in Ana de Armas the potential to launch her in Hollywood…

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Review of Naked Singularity (2021)

By Mauro_Lanari (665) on 22 Jul 2022

(Mauro Lanari) Ridley Scott produces the film adaptation of the book A Naked Singularity (Sergio De La Pava, 2008), Chase Palmer's first feature…

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Review of Don't Make Me Go (2022)

By Mauro_Lanari (665) on 19 Jul 2022

(Mauro Lanari) The Yankee world is convinced that any problem can be solved on the road: false…

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Review of C'mon C'mon (2021)

By Mauro_Lanari (665) on 18 Jul 2022

(Mauro Lanari) Independent art has always had two opposing souls: the one that compensates for the reduced budget with unpredictable, surprising,…

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Review of Sweat (2021)

By Mauro_Lanari (665) on 17 Jul 2022

(Mauro Lanari) The fluid identity inextricably composed of real life (irl) and virtual (VR)/digital one has now become our new everyday existence,…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Mauro_Lanari (665) on 16 Jul 2022

(Mauro Lanari) Anderson sets his 10th movie in Ennui-sur-Blasé (boredom for exhaustion, on indifference, on apathy), viewers are warned from…

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Review of Hello, Goodbye, and Everything in Between (2022)

By Mauro_Lanari (665) on 08 Jul 2022

(Mauro Lanari) Netflix flushes out another incapable and makes him direct another rom-com about an imbecile couple of high schoolers…

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